FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
SKINNY GIRLS
Capo @ 3 in G
...and then he said,
I like skinny girls
Toothy girls
Flat chested girls
I like girls with Adam's apples
A mouth full of titty
And a hand full of ass...
A girl with a six pack
is my kind of...
And then…
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
Matthew F. Blowers III
I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
I NEVER DREAM capo @ 2 in C
C
I never dream of building bridges. I never dream I’ll build a dam
I never dreamed of a cathedral for the mighty God, I Am
F
I never dreamed of founding clinics or make donations to the cause
C
I don’t see…
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
Peggy taught me an Eagles song toward the end off our life together. I think it was NEW BOY IN TOWN. (I had no idea what she was telling me.) I took the chord progression from that song and wrote this. Peggy said that was cheating.
WATERMELON…
FOOD I MY BELLY
Capo @ 5 in Em
Em) I gotta get some food in my belly (2)
Am) My hands are shaking and I'm feeling weak
B7) I gotta get some food in my belly
I gotta get some food in my belly
I'm feeling woozy gotta get off of my feet…
IN MY ROOM
In my room there's no day and there's no night
In my room, just an incandescent light
...hanging from a wire.
In my room there's no hot and there's no cold
In my room,I'm not young. I'm not old
...hanging from a wire…
JOHNNY BROKE AN AXLE 110220
I got revved up on blueberry donut holes
and cranked this one out...
Johnny broke an axle
Broke it like a pencil
Oh, no.
We need an ambulance at turn three.
Johnny broke an axle
Broke it like a pencil…
EVER ONE I NEED TO TALK TO
Everyone I need to talk to tonight is gone
Some have gone to heaven. Some have gone to hell
Ever one I want to talk to tonight is gone
FOOD I MY BELLY
Capo @ 5 in Em
Em) I gotta get some food in my belly (2)
Am) My hands are shaking and I'm feeling weak
B7) I gotta get some food in my belly
I gotta get some food in my belly
I'm feeling woozy gotta get off of my feet…
(I Almost Washed the ) DISHES
I almost washed the dishes
I almost ran the water
Maybe tomorrow
Maybe Saturday
What does it matter to me
I almost washed the dishes..
(C) 2020 Royal T Music
BEAVERS AND WILLOWS
Capo @ 5 in C
FCG FC FCFG
F C G F C
Like beavers and willows
Bats and mosquitos
F) Toad C) frogs and F) flies (G
DA DA - E Am G C
Algae and oil spills
Shovels and coal hills
Black holes…
I wrote this song after planting and fertalizing a crop of sudan grass just to have the sun shine down with no relief on it for 100 days and no rain. We, Texas Water, were heading home one night AFTER A GIG at Gringo's in Grapevine when the…
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
VIDEO https://www.facebook.com/reel/629088762494393
https://www.facebook.com/100007692130538/videos/122358790913196/
THE CIRCLE OF NO REGRETS Key C
capo @ 5
C F G C C G C
If your heart must be broken…
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take.
It’s almost like you’re giving the audience an option. Christopher Youngblood
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
I wrote to my children, my answer. I told the how I watched them thru the window and enjoyed them in ways they never knew. How seeing them learn and succeed at their efforts was such pleasure to me. How discovering who they were by the talents and generosity they exhibited made me happy...The first response I got was from Embyr, now a registered nurse, mother of 4, just said, "Jim, you were mean."
Sat 11:38 PM
Christopher sent Yesterday at 11:38 PM
I listened to Kite a bunch of times, trying to think how it could be improved (it can’t be), and it occurred to me that Ben Franklin flew a key. That part of the story had never occurred to me as important before. But it’s like he was trying to unlock something.
Maybe he tried it on a clear day and let the kite rise to where he couldn’t see it. That’d be a different experiment altogether. Christopher Youngblood
The story our song that night (Songwriter night, Tuesday, at The Post, where we would divide up into groups and have a new song ready to perform in one hour) was about railroads and a girl from San Antone. When I got home I had the Tejas/Chaos…
Love the piano. Love the brevity, and the words themselves. Love "voice like confetti"! I get more about her story from the music itself. The words set it up beautifully. But the music, the back up, the energy had me seeing those waves, and sensing the sleeping fish beneath! Love the "tip" of another story, her buying l ip gloss in NYC. Love that that is all that you gave.
Seen by Gwyn at 12:20 PM
Gwyn Henry
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
i was trying to work on a piece for a shark video of mine, but this is what came out instead,, my piano moments collections are the small musical threads that emerge amongst/while i am working/thinking about other things,,,
I got me a new mic and a pre-amp and I picked up the Jumbo Eko (I'll do this again when my fingertips have recovered). I tried to do finger picking when I was a teen, but didn't pursue it as it seemed like too much hard work at the time. Today…
I got me a new mic and a pre-amp and I picked up the Jumbo Eko (I'll do this again when my fingertips have recovered). I tried to do finger picking when I was a teen, but didn't pursue it as it seemed like too much hard work at the time. Today…
A bit of improv done yesterday with my newly refurbished fretless guitar. Finally got the midi pickup to track almost right! Part of the sounds were gotten by rubbing a teaspoon on the strings.
A song for all the rainbow people; musicians, artists and healers, to name but a few.
A true collaboration for Jip and Lady Jane as they meet up for the first time in 32 years and, together with Mike and his witty one liners, come up with this…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
Had written this one many years ago. I had it recorded originally in a different key and with different instrumentation but it I just was not happy with it. I deleted the original lyrics for the chorus and added a bridge section and lyrics. I…
Had written this one many years ago. I had it recorded originally in a different key and with different instrumentation but it I just was not happy with it. I deleted the original lyrics for the chorus and added a bridge section and lyrics. I…
The core of the music is heavily inspired by Joni Mitchell. Its been spinning around for years in my head so hearing this song finally recorded feels good.
Another collab with Jip, with me adding the vibes, pad of the orient, flute and vocals.
From the original da da da da das before I came up with any lyrics, I wasn't happy with any of the melodies. This is the result of me getting bored with…
Alone for the weekend so here's another.....Reg has really got to stop being a peeping Tom he's going to get caught one of these days.......
I Love her (Lyrics)
she wanders about inside my mind sending me crazy from time to time but i love…
Comments on James Michael Taylor's stuff
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
Matthew F. Blowers III I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
My husband and I enjoyed that song thanks for the lyrics on Facebook.
Amazing song thank you for leaving the lyrics chords and that beautiful piano composition for us.
Glad to see that your spirit was not a victim of the virus.
short and sweet, i like it :)
Eerily simple and powerful
Good one! Sorry about Johnny. lol
Isn't that the truth, losing people every day.
Good one, I really like it!
I think we have all been there, really cute song!
Makes you think.
Kim Triolo Feil James Michael Taylor that's a fantastic story and a very lovely song
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take. It’s almost like you’re giving the audience an option. Christopher Youngblood
I wrote to my children, my answer. I told the how I watched them thru the window and enjoyed them in ways they never knew. How seeing them learn and succeed at their efforts was such pleasure to me. How discovering who they were by the talents and generosity they exhibited made me happy...The first response I got was from Embyr, now a registered nurse, mother of 4, just said, "Jim, you were mean."
Sat 11:38 PM Christopher sent Yesterday at 11:38 PM I listened to Kite a bunch of times, trying to think how it could be improved (it can’t be), and it occurred to me that Ben Franklin flew a key. That part of the story had never occurred to me as important before. But it’s like he was trying to unlock something. Maybe he tried it on a clear day and let the kite rise to where he couldn’t see it. That’d be a different experiment altogether. Christopher Youngblood
Love the piano. Love the brevity, and the words themselves. Love "voice like confetti"! I get more about her story from the music itself. The words set it up beautifully. But the music, the back up, the energy had me seeing those waves, and sensing the sleeping fish beneath! Love the "tip" of another story, her buying l ip gloss in NYC. Love that that is all that you gave. Seen by Gwyn at 12:20 PM Gwyn Henry
Comments made by James Michael Taylor
Nice touch.
Love this song. Great job.
Love the blending of sounds...especially the voices.
Great groove. Is that a midi bass? It's sooo clean.
Very cool song...
Perfect combination of words, voice and ambient sounds.
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
Richard, Tell me more about this spell we have fallen under.James Michael Taylor
Your guitar playing is fine. Sounds like something Leonard Cohan would do.
That's really pretty. If you double your vocal tracks and use one each with less effect the words would be understandable.
Very cosmic. I'd like to see that guitar.
Charming...
Very nice... Like something in a musical. The voice doesn't sound like Freddy Mercury but has the dramatic tension...
Fine tribute. A sadness we all share sooner or later.
...something very Dylan about it. Especially like it where you break it down to just your voice and the arpeggios.
Really like this one. So many references. The Band, Queen. Nice vocal. Love the progression.
Great guitar harmony work.
Very Pink Floyd/Beatles like. Very restful.
Like the funkyness of it.
Like how it grows. Swells and fades. Like the "radar" beep...