A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
Brilliant. Also serves as a reminder that we shouldn't forget about the "old school" techniques in favour of all the blinkenlights we now have at our disposal.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
I love this.
It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun.
Thanks for the inspiration!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
An ambient guitar piece done rather quickly, warts and all.
Stems from ideas I've been developing on my new JamMan looper pedal (catnip for guitarists if there ever was such a thing).
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Comments on kavin.'s stuff
any hidden messages in there? hehe cool stuff.
Hi... I really want to listen this track to the other side.. maybe the machine can breathe a differen history :)
some very cool guitar tones
Kavin, I think this piece is absolutely fantastic. Well, well played!
Wonderful- I missed this one somehow
Fantastic! Don't know how I missed this one
I love this, it reminds me of, "Tales of the River Bank", only better.
Great playing! I missed this one of yours
Wonderful playing and such a lovely piece.
very cool- inspirational
This is wonderful! Very cool concept...clever title! w;-)
Brilliant. Also serves as a reminder that we shouldn't forget about the "old school" techniques in favour of all the blinkenlights we now have at our disposal.
Yeah, ok... yours is better :-) Love the organ(ish?) sound.
I love this. It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun. Thanks for the inspiration!
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
As you say Kavin, strangely symphonic, but really cool!
Can we hear the forward take?
Nice one mate this is good.
Your delivery on this is amazing, Kavin.
beautiful melancholy piece
Comments made by kavin.
Nice mellow jam with thunderstorm, very good.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
Bowed/ebowed mando, how about that. Great sounds and arrangement.
I like the rhythmic dynamics on this 'un and how it floats in and out of a sonic haze.
which button to push..
This has a bizarre carnival feel, Mephisto's merrygoround? Calms down to a nice resolution at the end.
Loop on man! Meow.
awesome, thanks for the tip. Been looking for timestretch software like this!
This is trippy good. Like Santana in a blender.
Wow. The amazing glu has a tune with that same title. I wonder where he's been? Miss him.
Bump for the newbies to enjoy this track!
Like all the tonal contrast going on, and the analog (?) synths.
Yes it was a longer improv, which I edited down to the best bits. Thanks much!
Ever heard of Robert Wyatt? Very much that style. Good job.
Great electro-jazz. Cool.
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
Great sonic space and execution, BL will be favoriting/dl'ing this.
Hi Rick! I sure like this. been hanging out with Wendy Carlos?
Howr you doin Rick? Peace to you brother, and thank you for your wonderful music!