Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off!
It's the slide mandolin that is so fascinating.
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Recorded August 26, 2009
Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
Another experiment. The name comes from the fact that I was in the woods; not because I was really concerned about making woodsy sounds...
Thanks again to glu and Chris McGrath for opening my eyes to some different Live tricks...
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
Brief musical sketch, to be transformed into a teary-eyed country weeper.
Instrumentation:
1 Dobro Resonator Guitar, played on both sides of a slide.
[If you give a page a dobro ...]
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
Two jigs I wrote after returning from Ireland. Sorry for the horrid splice between the two tunes...I'll fix that when I get a chance. Penny whistle, mandolin, acoustic guitar.
Comments on kavin.'s stuff
Cool project, what recorder? Zoom? dadgad works for me
Once again, great idea! The natural acoustics of the room really show off your guitar playing.
Beautiful.....
Beautiful What a great idea!
Very nice!
Whayhay, not bad!!! :) Brilliant work and live too - amazing!
Oh, that's "noodling" is it? Ha, I wish!!! Great stuff!
lovely touch, the recording makes me feel like im right there, feeling the strings vibrating
nice guitar work
Great from van leaf
Interesting music. You have some facinating sounds and textures going on here.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
An interesting combination of raga type music combined with classical spanish guitar. Quite compelling.
Nice one mate.
gotta love the impov first time feel.
Tingely
love the tension on this one, good stuff
Very nice old school sound
Excellewnt, strong vocal dilivery with some inventive support
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off! It's the slide mandolin that is so fascinating.
Comments made by kavin.
Love hearing the two versions back to back, but I favor the acoustic side I think.
So good. Saw Tommy Emmanuel the other night, and he played some great mellow fingerpicking like this, great to hear it!
Guitar wonderment. Proof positive one doesn't have to be fast or flashy to be a guitar wizard. Like the extended length also.
Very good. I get a jungle feel more than forest, because it has a vaguely tribal beat. Check out my tune with the same title.
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
I'm cryin' already. Inventive little tone poem!
Amen ta that! I hear some Ray Davies in there. Cool!
Short and sweet!
=!&0000))))
Bravo Eno!
Yes! More ebow!
Sonic Mood is a cool program and I like what you did with it!
Love it! Bluegrass with a British accent! Oh that's right, Americans are the ones with the accent.
I DO like it, but then I go for these kinds of guitar oddities. "Talent enhancer"? I want one of those.
Killer! A nice acoustic ride!
Hey Rick! Where you been? These tracks sound great! Drop me a line when you can!
Like the loose feel of this one!
Makes me thirsty for a blackntan!
You got daughter Brit singing this! (cough!)
I love this whole album. Hope you and yer bass are feeling better Rick!