Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Song #2 for the RPMC. My goal is to have 12 short tunes (1-3 minutes long), so I need to pick up the pace.
Again, quartal tuning on the top 3 unison pairs of the 12 string. I've been listening to Ralph Towner's Blue Sun, hence the title.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
A test track of sorts.
I typically mix a track, bounce it out to my ipod and then go for a drive. The stereo in my truck is kind of boomy and if I get the bass wrong, I'll hear about it. This has been a matter of a certain amount of guesswork…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
Written/Recorded: December 25, 2010
Not really finished, not even sure what it is. I jst felt like playing some loud guitar...
EBEGAD (Capo III) and EADGBE.
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
This little toe tapper is simply a baseline of guitar, bass, and drums, with horns and guitar providing the solos. It was also a song I just couldn't find the right lyrics for. Oh well. Enjoy.
ER
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Jqscutt had this guitar riff that he sent me and we worked out a song with bass, rhythm, lead and drums over the internet. I posted it for a collab for some key additions. This was added by TiS friends K-Lyd and Coruz. Later, they found Liam…
Well, here is a new version of this one. I was not playing my own guitar, but one of a friend, which doesn't sounds so bright. Anyway, i think this is a better interpretation, but still has some mistakes. (this time is well tuned..)
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
I am a member of ImprovFriday which has been occasionally mentioned on this mailing list http://improvfriday.ning.com/
- which is a site devoted to improvisations, instant composing and mash ups / re-compositions.
People submit individual…
Comments on kavin.'s stuff
far out
Sooooo beautiful! w;-)
Interesting and unique. I like that balance between staccato and drone.
OMG - can you say brilliant? w;-)
Absolutely LOVE this track! w;-)
You amaze us, & we always want more! Superb track! k&w
Inspiring!
Someone plays guitar like George Harrison!! It's beautiful...
Oh yes! Like that slide...
Superb album, K.
Has someone brought their A-game this year???
Just spectacular!
you really into led zeps eh?..u got their soul in this one..i love it.."it doesnt matter now.."
love this one..its like gushing water in the stream..greatt..cool cool progression
Has a Led Zep feel to it, great
I think it worked out just fine. If you tap out the creative well, fall back on what you know, and you do so damn good at it
Such a full sound and terrific tempo. Well played! Nice tones too, yes, lovely!
wow - great stuff!
Nice slidework
Mighty cool change ups, paralell harmony, call and responce. I can tell this has been developing a while . Trully fine playing and writing.....Steve
Comments made by kavin.
Just heard this over on the RPM site. Badass harp, slide gtr and song!
I don't know what these chants are or where from, but I'm loving it.
I just realized, at about the one minute mark, you can just hear my bud Charlie tinkling on a toy piano offstage.
Very nice. I see some Ultratouch radiant barrier insulation on the Home Depot site, is that the same stuff? I'd like to use some in my vocal booth.
HNY 2 U C8mE!
great sound and playing, must try that since I have a pair of matched condensers.
excellent, Doug. I played this simultaneously with Shakuhachi's soundcape two for a unique listening experience.
Really love how this has developed!
nice minimal acoustic funky, I like it.
Cool tune! Thanks for your comments buddy.
nice spoken word piece and the music provides the perfect backdrop.
Good reinvention! Love DJ!
"open up your eyes and close your mouth.." How many times I've wanted to say that! Good job yawl!
Love this one. Really spoke to me but in a completely different way than your comment suggested.
I do too!
gettin my shotgun..
THis kicks.
Wow. I used to be able to play that on my 12 string (!) but never got near this proficiency on it. I'm impressed.
Wow! You must have some organizational skills...great mash! I like the reversed gtr and various treatments.
Cheers Chris! Fantastic video too.