This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld".
The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
A Barren electric guitar that sounds as if it has been going through a broken amp. And complimenting synths and percussion.
In retrospect, it sounds a bit similar to Trent Reznor's work, but I have always been a fan of his music so no surprise.
A tune about one of my favorite activities. This is one of the songs form my soon to be completed RPM Challenge 2012 submission. Special guest Steve Litras providing the blazing guitar solo.
Recorded using the Rode Nt1a and BR-80
The Bitter Suite
Music and Words by Tharek Mokbul
Bitter sweet.
Fallen Tall.
Both in Line.
Whilst we lay down under stars tonight.
Falling closer through the sky.
As Mountains rise and…
I think you guys and girls will enjoy this one. It is PROGRESSIVE so more instruments are added throughout until the united ending. It includes many different sounds which i think work well together. This one took me a long time as it has so many…
This is an Acoustic piece that was inspired by a Journey in a Dream I had that took me to a strange place between earth and another place in space and time, I went to a train station and entered a train that went up into space to some very strange…
releasing my inner ozzy and tony iommi. had lots of fun with this one. started as a little middle of jam practice thing at the end of january. boy it took off. the whole band live on this one! this song is dedicated to Moschell, who motivated…
Recorded this afternoon at my place. A big "Ey up" to The Reprobate who went with the idea and played some cool lead - man that guy can play!
Hope you enjoy!
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
Bethan wanted to make a lullaby for her new grandson and asked me for to make a music track for her to sing to.
Tess added 2 extra riffs and pitched it down as well. She also did the mixing and the vocal arrangement.
Shadows Come, Day Is All…
Comments on kirklynch's stuff
Great stuff! The screams are a very ominous way to keep the beat :)
Very nice. Great flow
Wow! I'm normally not into acapella, but that intro got me hooked until the instruments came in! Awesome piece!
Great tone, very full sounding! Did you mic an amp, or was this straight into a computer?
Spooky sounds and good playing!
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
dynamite! making that guitar really talk.
excellent!
Very nice guitar work here , this one sure takes on a real cool trip into the sounds my Friend, "G"
Hell yeah!
In-cre-di-ble!!
Outstanding Kirk! Beautiful work.
Piece, full of fading lights. Is an ambient blues.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld". The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Amazingly beautiful piece, Kirk..!!!
Instantly faved!
I'd have you score my crazy campy psychedelic westerns. Well, if I had any. Diggin the reverse guitars and overall atmosphere.
very esoteric!certainty feels like walking on a trail in solitude
Grand piece of Gaelic music. Great vocals. Great playing. I expect Fiona Ritchie to return after these messages.
Loving the vocals.
Comments made by kirklynch
Yep- We've all had those mornings! Great tune man!
Beautiful job on a classic melody!
Beautiful work! Lovely layering
Great take on a classic!
That's intense!
Smokin' guitar work!
Great stuff! Production sounds wonderful!
This is great. Percussion adds a whole other dimension. Can't believe I missed this one
This is great T! That intro is to die for
Lovely guitar work!
Nice! Well put together.
Gorgeous track!
Another nice one!
Nice! Love the guitar tone
I needed a kick in the arse like this this morning. Nice!
Very cool! Dig that break in the middle and yep, that reprobate can play alright!
Wow! Gorgeous! Faved!
Nice! Great guitar work. No mystery where the beer went though. I drank it
Lovely!
This is lovely! Great job everyone