Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Solo acoustic guitar recorded January 2nd 2009. Hope to do a longer more developed version at some point ,but for now just a short version to learn more about using new DAW software.
Solo acoustic guitar recorded January 2nd 2009. Hope to do a longer more developed version at some point ,but for now just a short version to learn more about using new DAW software.
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
music by Bryan Baker & Joe Maki. Rhythm guitar, electric piano, synth strings, percussion, drums, vocals by Bryan Baker. Lead guitars, bass by Joe Maki.
Something you don't often hear from me and that's
straight drummin'. On this track I left the
original L/R kit track because it just sounded
more raw and nasty. Listen close and you'll hear different levels on the high hat. Plus, you can…
This is inspired by Frippitronics. Frippontroncis is I call non-traditional mood music invented by Robert Fripp master guitarist for King Crimson. It involves loops of sustained guitars, in this case using an e-bow. I usually do one of these…
Hey Kids, Happy RPM. Surf's up! I played this one for my lady, she said she wants to move to California. I'm not sure if that's because I've been wired up in the Dog House for 9 days or if she wishes to try some surfing. Go figure....
Anyway…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Written and Recorded: Feb 07, 2010
Details: Epiphone Les Paul (DADGAD - capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
War is tough. War is tough on everyone. and War has it's dues. So without further ado I entreat our men and women of the US Military an awesome Electronica piece that will rock your heart out.
just finished this one, represents a slightly new direction i am taking i think.
i am particuarly proud of the polyrhythmic sound i achieved. i was worried it mite become too cluttered (at the beginning) but i think i achieved clarity.
Comments on kirklynch's stuff
Very cool!!
jezzum what a sound. that was only one day?
Really nice - thanks
.... very nice!!!!!!
Very Very Cool! Impressive Playing Bro!
Beautiful!!Great work here!
Glorious wonderfulness! Bee
cool and mellow. nice work.
Hey, thank you so much for the warm comment! Great tune, very trippy.
Excellent mate very cool indeed.
@Goose: I know nothing about guitars but I think Kirk's Stratotone is named "Clark". And not red.
Great tone on the recording: I have much to learn about recording Acoustic guitar.
aaaah improv the freedom to be,, to play, to explore,,, this is a very beautiful journey/study into one of the many musical side streets,,, very fine
Never mind the jazzy quartal thingy, I want to see the guitar man. Is it red?
While I know nothing about harmony, I will say that I prefer an augmented fifth, but seem to always end up with a diminished fifth. Sweet piece Kirk!
Very pretty melody!
... I'm digging into this space you have carved in time...
i love playing with FXs that keep me in time.this is an interesting guitar sound and effect K. i can get lost in that signal. love it
Way to improv it my friend. Loved it.
Wow ... That is a full & beautiful sound.
Comments made by kirklynch
Great song man!
Really beautiful!
Nice one man! Love the drums!
Yes- Very different for you and very cool. Love this sort of thing!
What a riot! That had to have been big fun to do!
Lovely meditative quality about it!
Nice!
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Yes! Very good tune!
Hooked after the first 10 seconds!
Beautiful man! You must be recording at least partly using a pickup- has that distinctive sound
Lovely layered vocals!
Love cool! Love those harmonics in the outro. Great stuff man!
Had a productive weekend I see! Really nice. Your tracks all have such a distinctive sound
Nice moody one guys!
Nice! Intense!
Haunting!
I can't imagine what it took to put this together. It's so dense, but it works really well!
I'm loving the way this is slowly developing at about the 5 and 6 minute marks. I'm still jealous of your clean guitar sounds!
Wow! Great stuff! This would be a blast to improvise over