Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
A meditation of sorts.
Arose from experimentation with a technique described here
http://www.ehx.com/blog/ehx-tone-tips-stereo-memory-man-w-hazarai
This is a single take with a bunch of reverb added after the fact in Reaper (also an experiment…
Ahh, drone. Funny how extremely slow, repetitive, yet heavy phased guitars drown out the world and still make a melodious impact. Technically not much I would agree, but after listening to Xela's recitation, man, it just moves me.
There is a done…
A rubbish track by Tess got the Sandbags treatment here - the results only hold shades of the original. And it's just as well.
Includes 91dreamloop.wav by NoiseCollector
Sandbags - composition, production, special effects
Tess - original…
i'll take bizarre transitions for $500 alex
this musical faux pas is best executed when doing an all nighter to finish RPM
what is mood whiplash alex
rpm 2012 #5
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
Comments on kirklynch's stuff
that's funny i have a talking toy in one of my songs too..sludz
beautiful. nothing more to say...
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
I really like your style of playing sir.
very nice track Kirk.
That was the best 1:39 of my entire day. Wow.
Very nice guitar playing!
You Have Tapped into Something Special Here Mr Lynch....... Sublime..
really too pretty. Much enjoyed.
Flying on, flying free
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
very very nice.
Loved the oboesque solo voice, very lyrical. Not so sure about the FM harp/bell sounding thing. Beautiful composition though.
nice guitar tone
cool - title says it all
nice playing
You just play so well!
Beautifully played guitar. I love the tone you got here, both the clean and overdriven sounds.
This is awesome! I love the percussion sounds.
your guitar is complaining with a suppressed anger... I think she want more heavy tracks like this :) of course me too. Excellent track
Comments made by kirklynch
Very cool! That bass is to die for
Ah Yes! We all have an inner Tony Iommi waiting to get loose!
Nice one!
I could listen to this all day!
Very Nice! Missed this one somehow
Nice atmosphere you've created here!
Lovely!
Damn! Some kinda wild!
Quirky and fun. I like!
Nice! I'm sitting here watching it rain with this going. Also being a piper a drone never hurts my feelings
Beautiful!
Damn nice rubbish I'd say! Liked this very much!
I quite like that bizarre transition!
Nothing wrong with acoustic breaking light as far as I'm concerned. Nice stuff man!
Sweet! Like the slide work
Great guitar sounds! Loved it!
Man, this is nice and I'm only 2 minutes in. Great atmosphere!
Sounds like someone I used to know!
Nice improv! Didn't know that the Ebow would work on 12 string
I don't know how I missed this. Great stuff man!