An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Still playing with my _Neurotik_ sequencer made using Max for Live. This one turned out a bit strange. I was actually using it to drive Kontakt with cello & violin patches.
It was sort of interesting but not quite working when I dropped CamelSpace…
A second demo of my _Neurotik_ sequencer built in Max for Live and emulating the _Neuron Sequencer_ from Audio Damage's latest instrument [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
I've fixed up some stuff in the…
One for my electronic friends. It's just a bunch of patches mixed with MIDI and glued together with 1 part water, 2 parts flour, and 2 parts ectoplasma.
Enjoy!
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Still struggling with this one...
Maybe not possible to make this work in a country song...MY DICK DON'T KNOW SHE'S GONE
1. She's been gone for three years now. Three years since she walked out
Friends and folks I work with ask me what it…
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
A personal anti-war song...or something like that !-)
"
I wrote this song,
It came from the inside,
Because of that,
I can make it stop.
"
Gear used: Dark Energy, Micron
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Guitars/Keyboards/Pennywhistles: Doug Sparling
Composer: Doug Sparling
Recorded: 2005
This was my "signature" track several years ago. I wrote this on guitar in the mid-90s while I was getting divorced, but later renamed it and recorded it…
WARNING! ADULT CONTENT or goofy great........
After a week of computer crashes, I finally got my gear all back to normal. I got my drum kit hooked up yesterday and did a test run which led to this bit of Saturday morning fun that only
proves…
This song is built on an entirely weird formula. First, I played it.
Second, I broke it up into equal but random lengths,
Then, starting each segment where i played it, Repeating each segment four or five times, adding lots of fx
Finally, i needed…
Comments on mmi's stuff
love your 24 and the perfect album cover too.
I dig all of these. A fantastic 24 hour effort. And I second what Kirk said, I want to be a fly on the wall in your studio! :)
Retrohappytastic with maybe a little bitterretrosweet also.
Oh my.
Beautiful choice of voices in here - very beautiful in fact. I can feel the sun shining in the garden of my sonic dreams.
Another nice result. I don't think I'd end up with something this enjoyable to listen to if I tried a 24in24!
Nice! Bits of this remind me of some of the more electronic stuff that Anthony Phillips did back 30 years ago
This has a great flow to it that feels very natural, and the choices of sonic elements are fantastic. Nice work!
Really like this one! Lovely track!
Yay! Let's hear it for apps. Like this a lot.
Strange and understated, I really love this.
very cool man. very, very cool!
The recipe obviously worked! Great stuff man. Wish I could be a fly on the wall for a day in your studio
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Whoa horse! Heavy MMI. I like this one man. Real cool sound.
Nice, I enjoyed this. You should paint yourself into corners more often!
Beautiful one man!
this is beautiful... I really love this, thank you.
MMI, there can never be too much figure skating.
very nice album!
Comments made by mmi
yay for Camel toys! they're like HP sauce for me
Excellent work. But even better for me, you've provided some inspiration for experimentation.
Grooving darkly.
This is a keeper. That thing that sounds like a guitar is actually an affected piano? Very cool.
Specs move better in headphone headspace. Highly recommended.
Well done my friend.
lmao! this is awesome!
Love it!
Special.
Awesome-sauce. Dreaming of you and Michael Brook sharing a stage...
Definitely captured the UV vibe.
Smooooth.
Beautiful track. Listening for the umpteenth time and starting to find the little details you added. It's like a treasure hunt.
Diggin it.
Wonderful wonderful piece.
Great track.
Very pretty.
In Canada, we outlawed capital punishment; so hanging ponies is definitely not on the "fun menu" anymore.
Simply. Beautiful.
evil twisted genius Bravo!