*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana).
“Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it?
Didn't think so.
Chris, this is a master piece. I just love it still.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Inspired by Tess' little Morwenna and my (getting bigger) Jessica. Writing back and forth with Bethan, I came to realize that a song needed to be written about the significance of the statements that so often come from the mouths of babes…
I cant seem to play this unless I do it live....
That is something new to me...
Used to be the other way around....
This is called "Do or die"...
Do or Die
(words and music by Tharek Mokbul)
Do or die, that’s what Everyone here is…
Made the piano intro up years ago. So every time I sit down at a piano I play it. Hopefully it bolts on nicely to the fat stack riff. The pause at the start is because I had to press record and then dash over to the piano.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
Excellent. That mouse had it coming. Let me know when you are inclined to do a track about your bear problem: you'll need some heavier percussion for that one!
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
@Richard: Many thanks! The quick rapid tone was created by rapidly striking the mallets on the highest pitched (smallest)cabinet. Thanks for listening!
AT could not accept the full upload so....
Download
http://notonlymusic.com/board/download/file.php?id=815
online play
http://notonlymusic.com/board/viewtopic.php?f=12&t=410&p=2861#p2861
Content
Continued Chris Vaisvil radio interview…
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
This is my first effort with real bongos. I've been so inspired by Norm's talents, that I had to give it a try. I borrowed a set of bongos from my brother Asa.
http://alonetone.com/asalennon
I had to play 18 holes of golf to get my hands…
Nice work! And way to go on the computer closet... basically a cajon. I use cajon quite a bit: the key to building one is to make the striking face out of very thin ("aviation grade") plywood, if you can get your hands on some. Well done!
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places...
Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
Comments on Norm's stuff
With a ooooh Yeahh!!!
Loving this - wish it was muuuuuch longer! Had to share it on FB.
I just stumbled across this today! E X C E L E N T
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
Kickin beats. Totally diggin this!
Very cool! Missed this one
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it? Didn't think so. Chris, this is a master piece. I just love it still.
Love the flange and the triangle (Or whatever steel you used) Goodness all over!!
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
I drink that every morning..Delicious Espresso.
ok, ok. So its chicken on 3? Love the suga cane beets bro! Congrats 2R's!
Cool!
really cool and a mighty fine production !!
I mean percussionists...yeah that's it. Percussionists!
Big boys tend to be drummers...
Super swish beats!
Super nice groove man!
Norm, just how many chickens have you raised? ;-)
Aaw, now I want chicken. With Bee.
A great tribute to the new little man. Amazing track, really diggin this groove. :)
Comments made by Norm
Just lovely. Well done.
Rocks. Nice work.
Stong work.
Great song!
Just beautiful. Nice work, gents!
Nice piano intro - I can tell you have been playing it for years. I think it works well with your Fat Stack riff.
Excellent.
I've got a fever and the only cure is "more mousetrap"!
Outstanding! Another great percussion track, which we have come to expect from you. Thanks for posting this!
Fantastic!
Well done!
Excellent. That mouse had it coming. Let me know when you are inclined to do a track about your bear problem: you'll need some heavier percussion for that one!
@Richard: Many thanks! The quick rapid tone was created by rapidly striking the mallets on the highest pitched (smallest)cabinet. Thanks for listening!
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
Nice work! And way to go on the computer closet... basically a cajon. I use cajon quite a bit: the key to building one is to make the striking face out of very thin ("aviation grade") plywood, if you can get your hands on some. Well done!
Excellent! It's great to hear you back on the keys - I've missed it.
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places... Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
You sound great with it already! I love mandolin.
Folks don't know what they are missing with your stuff. Very tight. I've really enjoyed it. Thanks!
Top notch.