Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Hey Norm,
Thanks for the okay on playing along. I'll try to find the time to work on it this week. Thankfully, summer vacation is on the way and I can really spend more time recording...
And thanks for coming by and listening to some of my stuff. If you really want to get the flavor of this February's complete CD, check out the playlist "Late December" if you'd like to hear this year's RPM album in order rather than back to front.
Keith
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Well I believe you had a visit from the ghost of funky percussion. This is really really cool man. I love the little rolls in there, and it has a killer driving beat.
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Love this track, Norm! Would you mind if I messed around with a little acoustic rhythm guitar alongside your outstanding drums? I've got the capo up on the second fret and this beat has me playing in a way I never have before!
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
Ilesa is a city located in the south west of Nigeria. This is a traditional rhythm pattern of the same name - but I'm not sure of the significance of the name.
I played on 3 congas, accented with bell clave, block and cowbell, of course…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
I like both riffs - and that big, phat bass sound. Thanks for working with the "Itchy" pattern... it had an itch that couldn't quite get scratched, and the only cure was some funky bass!
Life is a quest for knowledge and a simple realization that not only is there so much we don't know but to declare it somehow is empowering. A great collaboration with Norm who is an amazing percussionist and a super cool guy! Thanks for the…
Well, I don't know what I don't know, but I do know that your guitar work rocks and is just what my "Skin On Skin" pattern needed! It was a banner idea of yours to combine the two of them - thanks for sinking about it.
There is a video for this below
Its all a bit cliche I know - but its what I wanted to do. All of the video footage was taken by me in an undisclosed location somewhere. This is a microtonal piano improvisation that uses Lucy tuning 0b6s meantone…
I've always found that talking to God involves much more listening then talking. And listening to this is a pleasure, as my ear matures to appreciate micro-tonal work. And, I suspect, you will miss the view from the undisclosed location.
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
Ahem. It's a "Quartet in Space" only because actually physically putting these 5 guys in the same room would simply not be safe, but you can be certain it would sound fantastic.
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
You rat. That last voice sample caught me off guard... brought tears to my eyes, of course. That's my dad! What a nice Father's Day tune! Outstanding production. I can personally vouch that all the scenarios portrayed in this song are 100% factual.
A tune composed late in 2009, i've released it as well as other two tracks and some photos from a friend of mine as a micro-ep recently for free! Enjoy!
This is using a tuning I borrowed from The Smashing Pumpkins, which goes E-A-D-G#-B-E. Not…
This is the first song I uploaded to share on the internet when I first donned the name Alpha_Alpha. Thanks to fellow 'lonetoners and SoOn friends Norm and Vaisvil for contributing to make this song really special!
Ha! That cow-bell still nearly knocks me out of my chair everytime I hear it! ;) I'm always the last to find out anything... I didn't realize until today that you were posting on AT. Welcome!
For this Mother's Day week, a conga improvisation dedicated to Saint Monica and all the other mothers who surreptitiously provide for and incessantly pray for their children. Thanks Mom!
** this could really use a tasty melody to go with…
Comments on Norm's stuff
Hey Norm, Thanks for the okay on playing along. I'll try to find the time to work on it this week. Thankfully, summer vacation is on the way and I can really spend more time recording... And thanks for coming by and listening to some of my stuff. If you really want to get the flavor of this February's complete CD, check out the playlist "Late December" if you'd like to hear this year's RPM album in order rather than back to front. Keith
I could use a studio boy like this! Totally cool - hypnotic.
Norm ..Excellent as always....I couldn't find Elvis anywhere down the cellar over the weekend???.......Maybe!!!!....
Norm darlin, you need a nice lay down!
well it wasnt me, the beer would have been finished, and fridge would have been emptied.
Top beat Norm
very nice, i like the soft touch, it's very rich and textured, something about this beat is especially captivating
nice work - it must have been your doppelganger joining in !
Well I believe you had a visit from the ghost of funky percussion. This is really really cool man. I love the little rolls in there, and it has a killer driving beat.
Storming and raunchy.
Love this track, Norm! Would you mind if I messed around with a little acoustic rhythm guitar alongside your outstanding drums? I've got the capo up on the second fret and this beat has me playing in a way I never have before!
Nice head-bobbin' drum-talk. Well produced!
Yeah! Moves or what?!!!
Love the Rhythm Norm! fireworks on the beach.
Oh golly, I hear some synths and strings. I'm gonna download it. Ya never know :)
sweet groove man.
Nodding my head to the count of the bell clave....yep yep this is sweet.
Norm you Rock buddy!
Moves right along. Nice!
Sweet beats. Like the tones here - very inspiring. ;)
Comments made by Norm
You make that Roland sound like an entire symphony! Sis is right, quite menacing.
Groove me out, bass daddy!
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
Brian sets an irresistible trap for catching some wild Vaisvil saxamaphone. Well done!
I like both riffs - and that big, phat bass sound. Thanks for working with the "Itchy" pattern... it had an itch that couldn't quite get scratched, and the only cure was some funky bass!
Well, I don't know what I don't know, but I do know that your guitar work rocks and is just what my "Skin On Skin" pattern needed! It was a banner idea of yours to combine the two of them - thanks for sinking about it.
I've always found that talking to God involves much more listening then talking. And listening to this is a pleasure, as my ear matures to appreciate micro-tonal work. And, I suspect, you will miss the view from the undisclosed location.
Yeah, I'm still diggin' it too.
Beautifully understated. I sure that your better worse half loves you all the worse better for it...
Nice playing and good job recording/mixing as well!
Nice one! Don't put it back!
I posted a remix today which adds Lexicon "Drum Hall" reverb and a bit of compression.
Ahem. It's a "Quartet in Space" only because actually physically putting these 5 guys in the same room would simply not be safe, but you can be certain it would sound fantastic.
You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.
You rat. That last voice sample caught me off guard... brought tears to my eyes, of course. That's my dad! What a nice Father's Day tune! Outstanding production. I can personally vouch that all the scenarios portrayed in this song are 100% factual.
Outstanding!
Way hip!
Ha! That cow-bell still nearly knocks me out of my chair everytime I hear it! ;) I'm always the last to find out anything... I didn't realize until today that you were posting on AT. Welcome!
I have posted a new mix processed via a Lexicon MX200 to add "drum plate" reverb and a bit of compression.
Nice!