You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Mellow morning mist fall
Melting into day
This summer said son, you are lazy
Don’t follow any example, break every rule
After awhile you’ll find it’s so easy to do
Just stay within the limits of your love
Soon the air will turn colder…
This is a tune I picked up from alonetone a while back. Johnny did a piano version of "I'd Love to Change the World", and Michael Thomas from Cave Street added the outstanding vocals.
When Michael told me he was doing the vox on it, I wanted…
Finally going to end this RPM with a slop fest.
Pretty disgusted with my efforts. I did have some fun though.
I feel like I just gave birth to a full set of Ludwigs.
High gloss black of course.
Sloane did me a favor & played an electric guitar part on this one. I had hoped to work with her more on this project, but she wound up leaving town to help take care for a recovering family member.
------------------
Seventeen thousand…
Reg once had a childhood friend that gave in to temptation and the depths of addiction, this track is about what he saw when the Black Velvet glove took control. The degradation of a poor soul who lost his grip on reality and fell to depths so…
Lyrics/Vocals - OldRottenHead (over at Soundcrafters.org). Music - Dave Berry. Recorded on Boss BR-1200, Epi Sheraton, Bass, Synth. Drums are played by me on my new Roland HD-1 (I have had it two weeks, timing is a little shaky, bloody hard this…
This song was born on the 18th of Feb. 2011. It was the last piece I wrote/recorded for the challenge. It was a very sad day for me, almost as if all my usual winter sadness was concentrated and crammed into one day. The process of writing and…
bit of a key change, and temperament,
just as small note: the opening and closing strings really buzz cool in headphones, something i though i might give a try too
This was going to be a re-make of Dancing on my own but reg was too busy to participate so i have used Norms percussion track and got Chris Vaisvil to bass it up and i have added a vocal creating something new. Reg has had a lot of trouble with…
This is a synopsis of Reg's favourite movie put to music. Sorry about the length but what can you do, when you have a story to tell, you can't cut it short can you? This is one to download for the car to listen to on that boring journey or when…
Reg has got a little soppy since he met his new girl, the widow Desirea. His pretty sure she's the one but the old fears keep rising. He knows he has to put the past behind him if any relationship is ever going to stand a chance of working…
Aw, we tried to make this a bit more pro, but sometimes the really fun moments in life are fleeting. So here it is warts and all. But don't mind that - just get out onto the dance floor with Reg! It's ok: he's up to date on his shots.
When…
So I dropped the guitar into DADGAD tuning for the first time, threw a capo on the third fret, rifled off something nice, and sent it to Movement to Contact for his contribution, got it back, did some mixing...
Here is the result.
YOU NEED…
Lots of stuff going on here. Homegrown Piano loop, 12 string and 6 string acoustic loops. Some fuzzed up guitars, bass, and a sprinkle of harmonica.
Oh yeah, and Zippo slide....
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
Yes, ethereal is a very good word for this one. Nice work!
What a team! Good call on 2:12. Whoa, this is a great one.
This is loads of fun! More cowbell!
Excellent. Love your voice (as always) and guitar tremelo. Post the lyrics!
How horrible.
Excellent!
Well, did he make it?
Impressive guitar solo!
This is wonderful.
Excellent!
Brrrr! Throw another log on the fire!
Gotta love the 5/4! Very clever!
Drum and Bass - Reg! I dig it.
That is an awesome movie.
Yes, best not to move to fast with the widow Desirea until we know a bit more about her...
@ Richard: Keep dancing Richard - I'm right behind you and it's not going to be pretty.
Post the lyrics!
Great collaboration, gents.
Excellent!
Wrangle those mangos! Excellent!