Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Me and Dave Recorded this to test the levels in the Church when we did some songs in tribute of my Son Ethan the other day.
We Normally record a throw away track before recording something for real.
Improvised, so it gets you in the spirit…
I Can't Seem To Find My Way Home
Featuring Norm on Percussion Track: "Pilón For A New Son"
http://alonetone.com/norm/tracks/piln-for-a-new-son
Lyrics:
Searching for something
I wonder and roam
Hoping the truth
Soon will be shown…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me.
Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Rather, it includes Norm's excellent track Pilón For A New Son (http://alonetone.com/norm/tracks/piln-for-a-new-son). Was trying to find out how less I can get away with in rhythms while still having enough flow. Feedback welcomed :)
Whoa! That's awesome Tipu!
A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them.
But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again...
Yeah, I wax poetic. But man, I just love that.
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Texas hold em poker, and going for it all. Open mic acoustic with some alt tuning. Percussion by Norm.
The kokiriko? Norms playing in there actually sounds like shuffling cards- particularly loving the glockenspiel addition he did…
Here's a cover of a zep classic...from Reg and Speed Demon Gene....Gene has done all the music and the mixing..thanks Gene ....and i'm responsible for the warbling..... hope you enjoy
Landry/Garn
When I sent this song off to Jim, he sent back tracks for a second rhythm guitar, lead guitar, and drums. Bass soon followed, and Kavin's slide dropped in nicely. Just thought I'd let y'all have a listen to what came back to me…
With a little help from some of the lyrics of the Doors descriptions of the uncertainty of the 60's Reg has decided to do a kind of Punk song from both sides about the trouble in England which seems to be igniting the youth to set light and loot…
Instrumental Acoustic Guitar.
Written in 2010 for the wedding of a very good friend of mine, Jason. It was the processional, playing while the wedding crew walked down the aisle. Played it with montgomeru (who also wrote the recessional…
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
Lovely!
Oh you brought it home alright! Excellent!
Here's to Billy!
All of your stuff is just excellent!
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me. Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Great to hear from you again Rick! The surf must have been exceptionally good for quite awhile... Awesome work!
I loved that album.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Whoa! That's awesome Tipu! A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them. But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again... Yeah, I wax poetic. But man, I just love that.
Wow, has it already been a year?? Are you attending the gathering this year?
They say a cut dog bears no pups, but I've got nothing but a pair of Indians. I'll meet you back at the Winnebago...
Excellent Reg!
Way to work it Daawg!
The drums do work here.
Ha! No, I'm afraid Hank Thompson got it right the first time, regardless of what Kitty Wells sang. Great version!
How did I miss this? LET IT BURN!
Gin. Nice work!
Mandolishous!
3/4 is perfect for a processional!
Boom!