Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
@Geas:
Uh, that would have freaked me out too. And how about when you have your headphones up loud, really focusing on the project, and you look up and somebody has (quietly, so as not to disturb you) walked into the studio to ask you a question or something? I've had to edit out a explicit derogatory once in awhile - but the adrenaline rush is awesome!
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
Well, here's a quick stripped-down version of a song that I wrote a couple of weeks ago and needed to record just to get it out of my head... Also my first crack at harmonizing with myself (kinda cool, but a bit weird for me to hear me singing…
A collection of four improvisations on 19 note per octave electric guitar.
Sucralose
Aspartame
Cyclamate
Saccharin
The title is a play on artificial sweeteners and a collection of songs being a suite.
Per wikipedia "In music, a suite…
Jeff has passed over the rainbow bridge today as I held him. We went out back one last time for a few minutes until the sun came back out and it was too hot. He enjoyed that. The last thing he did was put his paw on my hand and left it there…
Reg is willing to do anything to cure himself of his addiction to alcohol and when he hears that they are restarting the experiments with LSD to help cure alcoholism he has to find out more. Through internet research Reg finds out that the experiments…
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
Reg was at his local AA meeting last night and just had to express some truth's he had to the others there......................but they didn't believe him they thought he could stop but Reg knew better.......i mean it was the Devil that told…
Did this back in 2009.
Before me and Jim actually met each other...
The music was improvised to the notion of returning home from space.
Jim did the Lyrics in 5 mins over the net..
And here it is..
My Harmonica was broken by the way. My…
Elvis has a few questions but not any answers............................This time Elvis had a little help from the local Japanese band that hang out at the local Chinese restaurant, he frequents and they bought along there instruments,down the…
I heard this beat of Norms this morning bright and early an had to jump all over ilesa in my mind she was her instead of a town it was fun but it didn't last.....the same old story.....it was her fault she was too hot.......What can i say
"I'm dancin'! Ilesa I'm dancin'!". Come to Daddy!! Let's beat it down!
Love the Rhodes as always and Reg had me crackin' up with this one! Ilesa never saw him coming when she walked into that disco, but I doubt she will ever be able to forget his "classic moves".
Somewhere there is a big arena band that would just love to meet you - to handle the graphics for the show. I can remember when we were blown away by a simple liquid oil projection set-up, ala Iron Butterfly, Grateful Dead, et. al. But this really takes the cake. Well done.
Reg was out for a stroll in town and met Jed who was homeless sitting on the pavement with his hat out in front of him. Reg stopped to have a chat with him to see if he could help. Reg expected him to have a sad story but to his surprise he hadn…
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
@Geas: Uh, that would have freaked me out too. And how about when you have your headphones up loud, really focusing on the project, and you look up and somebody has (quietly, so as not to disturb you) walked into the studio to ask you a question or something? I've had to edit out a explicit derogatory once in awhile - but the adrenaline rush is awesome!
What a treasure to find! I agree with Reefwalker: there's lots of good stuff in this one.
Chuckie! Nice work. Ominous.
Strong work!
Sweet!
I just love that growling fretless bass.
This is really cool Chris.
A great cover of a legendary song. More Ziggy!
Stay away from the mirrors Reg!
Much beauty can be cultivated in 80 years... and perhaps true beauty always forgets itself.
I like the reverb on this one Reg. Have you considered an exorcism?
WHOAA!
Now that's an impressive 5 minute gestation. How did the harp work as a ski?
Sidney is my kind of guy!
Excellent splash cymbal you have there Hojo! What kind is it?
Good question.
"I'm dancin'! Ilesa I'm dancin'!". Come to Daddy!! Let's beat it down! Love the Rhodes as always and Reg had me crackin' up with this one! Ilesa never saw him coming when she walked into that disco, but I doubt she will ever be able to forget his "classic moves".
Somewhere there is a big arena band that would just love to meet you - to handle the graphics for the show. I can remember when we were blown away by a simple liquid oil projection set-up, ala Iron Butterfly, Grateful Dead, et. al. But this really takes the cake. Well done.
Excellent!
Good lesson here... nice to meet a non-addicted vagabond to refresh one's perspective.