*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
Oh, my holy noodles. *Another* bloody 12-bar in E, and what's worse, it's a *slow* blues. Every guitar player who deems it appropriate to play a slow blues in E, in this the 21st, should be roasted like a head of garlic, smeared across a toasted…
I am leaving this week for a while but couldnt resist adding as the third collaborator on this excellent track by Keith Landry and Osckilo before I go.
Added some bass,ambient stings, and of course sleigh bell
Hope you guys like it.
See you…
In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…
Michelangelo’s statue of Moses in the Church of San Pietro in Vincoli, Rome, is one of the most familiar masterpieces in the world. Horns the sculptor included on Moses' head are the result of a mistranslation of the Hebrew Bible into the Latin Vulgate Bible with which he was familiar. The Hebrew word taken from Exodus means either a "horn" or an "irradiation." Experts at the Archaeological Institute of America show that the term was used when Moses "returned to his people after seeing as much of the Glory of the Lord as human eye could stand," and his face "reflected radiance." In early Jewish art, moreover, Moses is often "shown with rays coming out of his head."
Tharek sent me this beautifully played guitar arrangement and told me to have at it with the spirit of Christmas, so I wrote and recorded this little message of hope and peace. Somehow when I write music with and for fellow musicians across the…
Man, I needed to hear this today. Tell your friends who complain about your BPM to talk to me... because it's just fine.
(And hey, did I hear a very quiet distant phone ring around 1:15 or so?? Hahaha! You are still having phone issues!)
Well, after a couple of nights of recording, this is my effort for RPM's Holiday Challenge. Personally, O Holy Night is my favorite of all Christmas Songs. I added a little winter love song intro...
COME WALK WITH ME
Come walk with me in the…
Original Jazz instrumental. Written, arranged and performed by John Bowen. Made using Garritan Jazz & Big Band ver.3 Mixed and sequenced in Samplitude 2008.
I did this live performance at the Shore 104.3 radio station yesterday (Aug.25'10) directly after singing this song in the vancouver PNE talent contest and winning first prize! hope you like it!
Check out the video of the PNE performance!
This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
Thanks once again for stretching my ear's ability to appreciate alternate tunings. You have always been on the cutting edge of this aspect of music. A rare perspective indeed, and, in contrast to the blue dwarf, fully marvelous.
13 minutes! Fail! I recommend you augment your self a bit (with a glass or three of red wine or whatever floats your boat) and dim the lights, lay on the floor with your eyes closed where you can feel the bass rumble and get ready to be my passenger…
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Yes, I had never heard of that either. Well done!
Mindbending.
Delicious! But then I love garlic... Well done!
I love the intricate nature of this beauty. Very introspective.
Wow, this is transforming into an uber collab! Great work, one and all, and to all a good night!
Michelangelo’s statue of Moses in the Church of San Pietro in Vincoli, Rome, is one of the most familiar masterpieces in the world. Horns the sculptor included on Moses' head are the result of a mistranslation of the Hebrew Bible into the Latin Vulgate Bible with which he was familiar. The Hebrew word taken from Exodus means either a "horn" or an "irradiation." Experts at the Archaeological Institute of America show that the term was used when Moses "returned to his people after seeing as much of the Glory of the Lord as human eye could stand," and his face "reflected radiance." In early Jewish art, moreover, Moses is often "shown with rays coming out of his head."
Sweet!
Excellent! Fantastic collaborating.
Man, I needed to hear this today. Tell your friends who complain about your BPM to talk to me... because it's just fine. (And hey, did I hear a very quiet distant phone ring around 1:15 or so?? Hahaha! You are still having phone issues!)
Boooo!
Unwanted solicitation...
Excellent!
adorable...
This is very beautiful.
Beautiful!
Excellent
Very impressive! Well done!
Totally whack!
Thanks once again for stretching my ear's ability to appreciate alternate tunings. You have always been on the cutting edge of this aspect of music. A rare perspective indeed, and, in contrast to the blue dwarf, fully marvelous.
Great fun. Love the carnival sounds at the end.