There's another plane that I'll ride and only I know where I'm going and without reason I can't think and your lies won't let me sleep. This early morning sunshine gets sucked into the wall where perhaps we might draw from it when we are…

Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp. I played the piano's through my midi guitar and Axon. You can…

escape!

Another tune about an inappropriate school teacher

Here's the second song I recently decided to do with a studio recording from one I wrote and posted here a while ago as a purely vocal version. It's one of my favorites.... I hope you'll enjoy it too Singing In The Silence Verse 1: Singing…

INFATUATION UNREQUITED They say it's just infatuation I only wish that it was true Infatuation unrequited feels like love to me for you And then they say, "Silence is golden," and I don't know what to do The Autumn leaves the branches…

Here is my contribution to the Pirate Song Challenge offered by Robert Palomo. Find The Pirate Challenge Here: http://alonetone.com/forums/making-music/topics/challenge-pirate-some-music _______________________________________ I once…

An unused cue from a friend's claymation film project.

Edward Lear. Ring Modulation. No, I don't know why either.

An ambient Acoustic audio remix of a guitar loop I created. Imported into LMMS for midi accompanent and pulled into ableton, live, auda city and Ignite for additional effects. sounds like a space warped guitar.

This song is a improv guitar with some modifications in audacity. Thanks to: Freesound contributors: Carlos-vaquero__violoncello-d-4-tenuto-vibrato - Cello 1 flcellogrl__3-cello-d2 - Cello 2 konakaboom__summer-waves-at-charmouth-beach…

a new voice and violin looping piece.

Demo of an old song that's going on my new record.

The song Made In Calabar (M.I.C) is the second official single off the O.B.O.N.G E.K.P.E album by KIING.

Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…

Lyrics by Babs Mummelthey push if i push the button will someone push it, too? if i push the button will someone else push it, too? if i push the button will something change forever? if i push the button will anything change at all…

from the album "Fair Game" By the way if you're curiosity isn't a disability I may tell you we'll shoot the breeze hey now, just a moment more there's words in the air quite a lot of them actually nevermind i forgot it must not be…

from the album "Flooded" vocals by Shaun Hamontree you wanted it all wanted too much cause nothing was real and you couldn’t feel anymore the sky fell away and black was the night surrounded by gold that you could see, anymore oh poor…

My first effort on garageband

A song about Brent trying to come up with a band name to succeed Angie Fights Crime. The bridge is written almost exclusively from his Facebook posts. Tim - vocals, guitars, and bass. Clarke - backing vocals and weirdness, guitars. Grant…

Originally by the Callow Saints. http://www.callowsaints.com/ Written by Seb James

a hippy hollow daze

~Good things don't age. What about a man?~ I was a fan of easy listenings like Enoch Light, still love these sounds and light pleasure that they bring. Here so. P.S. Night birds recorded in Berlin this April, silly whistling/theme is mine…

This is a sample track from a video game I’m making. Check out more at www.thunderpunchstudios.com. =D

I wrote this piece under impression of cyberpunk and retrofuturistic aesthetics, especially works of William Gibson and Vangelis. Being a part of my quest of finding my own sound, this piece features diverse instruments, such as flamenco guitar…

The second part of the new album "Space". The songs are: Barrel of a Gun Afterlife Somewhere South The Walking Dead Thanks for listening. More to come . . .