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"bouncing pianos" - energetic piano/bass/drums tune
Notes:
This tune was totally brought to you by technology.
The variant in the piano chords came from quantizing some sloppy timing that led to some happy accidents.
The main piano line came…
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“my jetpack” a floaty, atmospheric type piece.
Notes:
I’m not thrilled with the strings (the part that only shows up once in the piece). I need to blend them more. They’re too abrupt.
I think the “percussion” may get too loud towards the end…
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One of my favorite and most interesting songs I've ever written. The last have of the song is exclusively synths, and one of the first times that I did not write it on guitar.
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Track 12 from "They Are Killers" ... originally to be #11, but I decided this was a better one to go out on.
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Track 11... I have to stop writing parts that I can't cleanly play.
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Dang, everyone except Rob (and Laura) (and me) liked the previous version! (Cupid's Own Knife)
Only i did this with the lyrics so maybe one can be a bonus track ...
aargghh ... why didn't i write a *different* song?
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A Halloween collab we did last fall that I thought was pretty cool. Designed to scare old ladies and make babies cry :) I love the way the song peters off in the end.
All tracks recorded with the Boss Micro BR, mixed with Audacity and mastered…
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Written and Recorded: Feb 24-25, 2010
Details: Lap Steel (FCFFCF), Epiphone Les Paul (FBbEbAbCF), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
Just never got this one sounding like I envisioned it…
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Trying the distorted/clean guitar pairing... track 10 from "They Are Killers"
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Lyrics @ http://wave.transmit-music.com/softlikeyou.html
Wave 2010 (RPM)
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lullaby featuring piano (but of course!)
Notes:
Today I learned how to add an insert effect to the master channel. The song was way quiet so it got boosted via a limiter. Hurray.
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This is a bonus track as it didn't make the album
For those of you who know my stuff - does this sound like it works? or is it too much like filler - the vocals are effected, there's a drum loop - the guitar is just chopped out of a jam - i…
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I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…
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This is the most hopeful of the songs on the new album. I just decided one day to say "to hell with it, they're not gonna get me down!".
ER
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I might have put a few harmonies on this one...
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This is sort of a skeleton version of this song...I have an intro in mind, but don't have time to write it right now. So named because it's primarily in 7/4.
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get the album here
http://emorej.bandcamp.com/album/stars
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Well i gues i was just sitting bored at home in new years even and i came up with the hook , then just worked on it on and off, and ended up with this.
Hope you enjoy it :)
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It is all about love, isn't it?
Lyrics @ http://wave.transmit-music.com/loveengine3.html
Wave 2010 (RPM)
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Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
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A heartbroken man wonders where his lover has gone in this epic synth explosion.
Lyrics:
I got a letter
In the mail
From my lover
Well I don't know where she went
And I must find her, find her
I have found her
She was fine
But my…
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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Emotions get the best of me sometimes and this is what comes of it....
Gotta pour out my heart.
i loved you i did
but i had to let you go
and i chose again and again
to let it die
i died again and again
a love so strong
a pain so…
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Post RPM jammin'. I don't feel much like cleaning up after RPM. Not yet anyway. I think my little Casio took a beaten and went out of tune. I did this arrangement with just the Casio, guitars and
harmonica, hence the annoying piano and strings…
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This is where the adventure began: the unaccompanied electric piano part I recorded first.
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Not an upright bass or, if you prefer, bass viol. This is two instruments: electric bass and bass clarinet. Not electric bass clarinet.
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This is what the music majors do in their spare time. Electric piano, bass clarinet and djembe.
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This time around it's the unique combination of bass clarinet and Bebot, the iPhone synthesizer.
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That's as in Metheny and Mays, of course. And they I am not. But I still give it a go. These are the first two instrument tracks I recorded in this improv extravaganza: electric piano and electric guitar.
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Unaccompanied Bebot. What is Bebot, you ask? It's an iPhone app, and a great one at that!
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This is track 8 of 8 from my RPM project, 222: Improvisations for 6 Instruments. I recorded an 8:38 improvisation on six instruments, and then deconstructed it into 8 separate tracks featuring subsets of those instruments. This is the track that…
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How good it is when I feel whole, complete, not lacking anything at all.
And i feel this way when I am with you...
nothing needs to be said, i can just sit and be still.
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An instrumental piece featuring classical guitar and bass.
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I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.
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