alonetone radio: Latest
Latest
This is a short prelude for piano and cello I wrote for my son
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Publicado Bajo Autorizacion y sin animo de lucro. www.carranga.org
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Publicado Bajo Autorizacion y sin animo de lucro. www.carranga.org
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John Rigney does the vocals on this track. His passion is Reggae and he has his own Reggae band called 'Kineman Karma.' "Kineman' is a Ngarrindjeri Aboriginal word meaning black or brown. Visit John's website at 'Kineman Karma.com. It's well worth…
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This is how I would describe my typical lunch break.
3:06p
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The moon smiled at us the night before the 24 hour album.
1:00p (start)
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I made this while falling asleep. I didn't even remember the next day.
1:32a
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Originally a very different song, slowed to a dragging pace and laced with dense moans of twisted agony. There's a little bit of John MacDonald on lead guitar in the build too.
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Feeling a little New Order style roadtrip music.
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A huge thank you to desoto on this one. The bass propels the listener like riding a wave while the flute cuts your mind loose in the atmosphere.
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I stole some words from a poem by Sudara for this one. "Stretch this moment into minutes, hours, days or years" became a defining phrase in this album.
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A very old song that I should have heeded long ago.
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Another thanks to Desoto for giving this song some necessary atmosphere.
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After I finished collecting and mixing all the trumpet tracks from Montgomeru, I was no longer sure which one of us actually wrote this song.
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More Montgomeru on trumpet. The lyrics for this song were written by myself and Mike Connor back when we were Sloth House.
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The longing is authentic. What more can I say.
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My only regret is that I couldn't get more power into this song, but no amount is enough. Desoto on bass again.
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a musical landscape,made of the noble sarod,played with bottleneck,and absynth..
passing from the known to other shores....
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On IRC, somebody was asking about routing to I got to playing around attempting to help them out. This throw-away piece came out...
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A little something I threw together while waiting for Godot.
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Didn't really work. Kind of lost the essence of the song by going a bit bonkers on effects and what not.
Will return to this (but a lot more simplified) in the future.. comments welcome!
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Hi guys just redid the whole track originally named Get $$$ Instrumental because some of you (inc me hehe) didnt like the pitched vocalz so I just removed it and created a whole new atmosphere based on an ambushed gangsta crew. the whole Instrumental…
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This song started just as a chord progression that evolved, lost some chords, gained others. I don't usually sing this high on a song, but for some reason this song needed it. I thought about doing more on this one, but I really like acoustic…
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for any one who has a friend or loved one that makes you hope for the best, and fear the worst... this song is for a friend that I have had a long dialog with(years)... he's very self destructive... you don’t care about winning the argument, you…
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hi guys I just worked on a new Track I found a cool "get money" sample I could use from Jamglue so I decided to anme the song "Get Money" thoug. the whole Instrumental (140BPM) will be featured on my mixtape so as soon as the mixtape is finished…
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it is a winter blanket of snow. it smothers life. it attempts to silence all sound. however, small ghosts of music escape. they always find each other. every winter they dance together. they are the notes of christmas past. 0x0
hw: quicksilver…
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This is based on a recording of a meeting between 2 pairs of dolphins. Moody perhaps.
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This is the first real attempt at recording this properly and its got some way to go. It needs a guitar solo and vocoders and so on. But this is some of what I did in my 24 hour slot. I battled with my vocoders and lost :(
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An electric monk is a device which believes in things for you so you don't have to (Dirk Gently). This is a quick little rif.
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I often apologize to my Guardian Angels, so I thought I'd compose something nice for them!
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Recorded: December 19, 2008
Guitars: CGDGBD, CGCGCE
Lap Steel: EBEG#BE
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Recorded December 18, 2008
Guitar: EBEGAD (capo II)
Lap Steel: EBEEBE
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Recorded December 17, 2008
Guitar: EBEGAD
Lap Steel: EBEEBE
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Recorded December 17, 2008
Guitars: DADGAD and DADGBE
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The third installment of a series of reports I did for KUSC taking a closer look at the recording industry from a classical music perspective. A profile of the LA-based Yarlung Records.
Interviews with: Bob Attiyeh (Yarlung Records founder…
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A Tonefreak colab from a few years ago. Written by my good friend Dennis Coble. He suggested I give it a reggae treatment. Voila!
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