alonetone radio: Latest
Latest
Soundtrack for the video version of a shadow puppet show ("Awake", below, was an excerpt/prototype for this piece). A link to the YouTube video of the show is below!
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Second half of a solo piano improvisation exploring bitonality and bruises.
E
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Solo piano improvisation exploring polytonality and the fact that I visited my dad in the hospital and he had bruises on his arm. Restraints.
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Fun song...recording the guitars was a pain, though. On my SG (right channel in this recording) I use .009's, and I tuned down 1 1/2 steps for this...you should be able to fill in the blanks from here. I had to re-do it about five times before…
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This is a collaboration between me and guitarist Kerry Hoke. Kerry did all the guitar work, with me adding some simple bass and drums.
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nice beat lyricz&hook by myself T2 check me out
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made the beat let my mind go and this is the outcome
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I made the beat for a male singer but he was a kno show so i did a lilsumthing kinda of a nice cool mollow layed back type of track hope you like 8580 Rec.T2 ThaLabRat
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Unorganized. Actually recorded live on the day the song was written
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We are four Austin teenagers writing and playing our own music. This one is called long way home and has some deep metaphoric meaning (or so we like to think)
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I spent the day skrewing around with this Roumanian Minor scale again. I am really testing layered drums on this one, Toms mostly.
There's a lot happening. Acoustic, Strat, Bass, 4 Juno tracks, and all kinds of percussion.
Only a two chord change…
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From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
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made this tonight, while smoking, as always.. title is explained by the lyrics combined with (very intellectualy) my use of the numbers from the fibonacci-sequence for note-pitch values of a couple of instruments.
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The assignment was to create a musical score for a spoken narrative. I chose an excerpt from the book Catch-22.
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story: wings of chaos, wings of beauty. h.g. wells awakens from cyber-sleep in the "Chrysalis". the steam-driven moth-ship is now traveling slowly across an immense nebula. the engine's motoric rhythm generates the soundtrack to the view from…
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Measuring Desert by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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Stella d'Oriente by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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Dedicated to grandmother Zoya
Click on "view more" to watch related VIDEO
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Crying Angels by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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Very rough sketch of something I am working on, with my even sketchier vocals. All about how we seem to be intent on using up everything this planet has to offer. Any ideas or comments please
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I never get tired of playing this song.
Written by Leonard Cohen.
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Hi!
Just a remix of a song I originally recorded in Garageband, remastered in Ardour.
Thanks for stopping!
Doug
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Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
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unfinished instrumental, written during the period right after Katrina. Kind of a Bowie thing, I think.
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I play everything on all these songs, except for the drums. this is a dude from Portland named Carl playing drums, who has since dropped off the radar completely and gone AWOL
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Rachael on vocals, it's her song. I did the arrangement and played all the instruments.
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A long meditation/wank.
This weeks guitar lesson we started looking at melodic minor modes. I went home and started practicing scales. Wasn't long before I got stuck on Dorian flat 2. So I fired up the looper and recorded a session.
Funny…
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From the archives. Traditional Irish slow air. Myself on the Uilleann pipes with synth backing. This was recorded at a concert here in Weston back in I think '92. Originally recorded on an ancient 4 track machine and then transferred to cassette…
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This is the edited version. Added more parts/etc to it.
© Pablo EMoulden Productions
COPYRIGHTS LINK: under "Llueve Llueve Llueve"
http://maestroeduardomusic.blogspot.com/
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees Abagail engaging with the ghost (or just a memory?) of her late husband, William, recently claimed by the sea.
Just as in the scene from Soul Descending, this…
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Poured myself a small cup of acoustic guitar, half finger picking, half ebow. Nothing fancy, nothing magical, nothing fantastical, just something to relax through.
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This is a live set from my band Airport 7
Recorded September 1st. This was done in our rehersal studio live. Only the between song chat has been removed.
We were running throught our set for a series 3 live shows in the next 4 weeks.
It is a…
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I composed this song (this is a midi audio file). It is based on the lullaby my mom made up when I was a baby.
© Pablo EMoulden Productions (& and Pablo Moulden)
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A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
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This song is the first ever recording of Solar Fetus, as well as the first time any of the members other than Adam and Justice played together. The song is almost completely improvised (some of Adam's keyboard parts were decided on half an hour…
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Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
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Otherwise known as the 'opus'. This song was my life for a good year. Left forgotten in the dusty hills of Santa Fe. This is pretty much the A section :)
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This was written in Innsbruck, when I was broke and had no microphone except for a skype headset.
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Ben, Jon, Jason and I record the destruction of a Piano via Hatchet. The criminal act was done on the santa fe plains.
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Six guitars playing live repeating patterns. In rhythm?
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I used to be into interviewing folks I knew about anything and everything, just to get "good source" for audio experimentation. I was very much into making pieces using plain spoken voice, and was (and still am) very fascinated with the effects…
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Arrsuarez came to Hawaii to write this song with me.
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees the widow Abagail mourning in her empty home, alone with her grief.
In truth, this one was really more by nay-player Eran Glantz than me. Both performances…
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Music written and played by Paul Ivany of Right to Asylum & I wrote and sang the vocals. In addition to being the second track from the 'Right To The Line' 2 track split we did, this track also appears on Right to Asylum's self titled album…
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A fun little track that came out of an evening jam - this track spurred the idea for the 'Right To The Line' split we did (summer, 2009). Written as an instrumental with some help on the overdubs.
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Trip hop track, may be listened as a soundtrack...
As usual we tried to create a deep atmosphere with loads of melodies to give the listener a little journey full of new findings every time :)
Anyway this time the BPM is a bit quicker : 87…
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Just something I wrote recently. Inspired by something I saw out running, and someone's Slashdot signature: "Computers allow people to make mistakes faster than any other invention, with the possible exception of handguns and tequila".
I am…
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This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
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this is a rockin version of an older song.
sadly, this is about as balls-out rockin as i can get :)
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you know you're hopeless when you think falling asleep on the couch is romantic...
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The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
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Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.
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All sounds on the track are made with Synplant (from Sonic Charge).
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Textures and burbling arpeggios by Waldorf PPG 2.V, non-burbling texture by Gforce M-tron and Arturia Minimoog V, madness by Sonic Charge Synplant.
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Recorded early 2008. Prophet '08 (pulses, soft texture, melody line), Oberheim Matrix 6R (swirly textures).
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This track is done on an Elektron Monomachine, recorded in one pass with no overdubs. The goal was to do a long, slow ambient piece which slowly built up and changed over time. What happened instead is that I made something that's somewhat eerie…
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This song is really two different but related songs which I merged together into one longer one, making it in a sense one song with two different moods. To me, both parts are somewhat wistful, somewhat regretful, and somewhat full of longing for…
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This track is done on an Elektron Monomachine, recorded in one pass with no overdubs.
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