alonetone radio: Popular
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Definitely one of the more “approachable” songs from our debut album “In My Mind”.
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This is a melancholic, slow waltz, with the main instrument being a melodica. Oh, and vocals by Pia, as (so far) always.
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This is the title song from our debut album (also called “In My Mind”, duh). It's probably the most experimental track on the album, featuring spoken rather than sung vocals.
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Another downtempo and minimalist track from our debut album, this one even has some percussion ;)
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I love this Nico song, so i threw it over the beat from Only by NIN and the rest just fell into place.
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glu's time machine takes you to an ancient Maori War Dance
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Unidirectional mic so the vocals are muted. Just futzing around with my soprano uke.
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Rough and Slow acoustic version of the more poppy [lifeline glu and sudara collaboration](http://alonetone.com/doublemeanings/tracks/lifeline).
If you like 4 minutes of the same 3 chords, you'll LOVE this song.
Now that I have two microphones…
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This is actually the first song we produced, and the one that started the whole project. It's based around a sequence from the good old Korg Wavestation.
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This song i don't even know what was going on, all i know is that it turned out exactly how it should be. I really like the lyrics i did for this song.
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ITS Just So Funny. wait till the middle, thats when it really takes off heh heh
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More testing. An improv demo for the Breaking Light project for the RPM Challenge.
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals, the corpse of Jeff LaSala (as animated by six thousand yellow jackets and a colony of Africanized honey bees) providing additional…
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Created and performed at the whim of the tyrant Michael John Keegan
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals, the very doomed John LaSala on lead vocals, and the great King Bandit and his mommy, Kate providing additional vocals. The very doomed…
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as shall be uttered by the False Leafy Jar of Mordant Synthesis upon the Eve of Clambering Day
A transcript of this speech has been published without authorization in "HEY Cities!" by Sidedown.com. When the Infestation Apocalypse comes, you…
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Among the special guests are the corpse of Jeff LaSala (as animated by six thousand yellow jackets and a colony of Africanized honey bees) providing additional vocals. His very doomed brother, John LaSala, provides lyrics and lead vocals…
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The very doomed John LaSala sings lead.
Lyrics available at virb.com/fes
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals and the very doomed John LaSala on lyrics and lead vocals.
Under shoes:
issued dire adieux.
Too few legs:
the world's new filthy…
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Among the special guests are the corpse of Jeff LaSala (as animated by six thousand yellow jackets and a colony of Africanized honey bees) providing lead vocals and sundry items. His very doomed brother, John LaSala, also sings lead.
Lyrics…
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Warming up with a quickie recording to try and get reaccustomed to this equipment
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Another "warm up" spur-of-the-moment recording as I got prepared for RPM 2009
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From the Nada album:
"Instead of the last judgement, what worries me is the final dream." [The End Of The World / Joao Cabral de Melo Neto]
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"Pizza: The Rock Opera" is Beatnik Turtle's 10-minute opus chronicling one man's struggle to order pizza. From TheSongOfTheDay.com and their album, November available on CD Baby, "the iTunes" and other fine digital retailers.
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Tomorrow marks the beginning of the RPM Challenge.
So the screwing around I do today should be either tossed or posted to avoid the temptation of using it in my RPM album...
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A cover of Styx's "Come Sail Away". As can be heard, I am having issues with singing while strumming and distance from the microphone.
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La darrera intervenció a Ràdio Sabadell d'en Quim. Aquesta vegada la crònica parla sobre la reialesa danesa.
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This is the first tune for my RPM Challenge.
Recorded: Feb 01, 2009
Details: Epiphone Les Paul (EBEGAD - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
2009 RPM Challenge
This my first time…
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So I wana start out by saying I shocked myself with this new record..all live instruments on this one...i layed down some drums,bass and guitar on it...and the quality sounds pretty tight..also this is one of the first 2 songs done in the new…
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My second tune for 2009 RPM Challenge.
Recorded: Feb 01, 2009
Details: Epiphone Les Paul (EBEGAD - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
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this song was later featured on T.M.T.F.'s album "For Tomorrow", it was a Kandern Billboard Top 5. first taste of fame. hehe.
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rough recording. this was the original idea, but it was later on "finalized" and recorded by T.M.T.F. on the album "For Tomorrow". there will probably be more versions...
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another rough recording. since recording this i haven't really done anything with it...i want to though.
people are fragile.
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have you ever felt like you were trying to find something you weren't even sure you believed in?
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simple song. i believe this was the original recording of it. originally a track off of the 21 grams album, "Identities". Peter Hochstedler played a beautiful lead guitar on it.
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one of the first songs we wrote. Dan Spencer and i wrote it along with Same Angel for our first gig. Pete Matthews helped me finalize it and mesh the guitar and bass together.
i love Tamer's drumming in it.
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i wrote this song while waiting for my friends to get back from a banquet i was too young to attend.
it's about Jesus, myself, and sin.
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i didn't intentionally sound like i was dying. i just lost my voice around the time we had to record vocals...and it was a pretty high range for me...so i decided to belt it out.
Peter Hochstedler did some background yelling towards the end…
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Dan Spencer wrote the main idea to this song. he gave it to me over a break and i added the music to it and ended up with this.
Tamer and i took turns playing around with the keyboard.
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i went to a small christian boarding school for highschool. we had mandatory worship times. among other things.
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i actually like this song. it's our pop/rock ballad. Tamer provided the backing vocals on it aswell as afew other tracks.
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i brought this song to Tamer and Peter with just the rough idea of what i was thinking. it was one of the last tracks we recorded for the album. Peter wrote and recorded the beautiful bass line and also sang the chorus with me.
we recorded the…
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i believe this was the first 21 Grams song i wrote. the riff really stuck to myself and several other people so we kept working with it.
Dan Spencer helped with the lyrics
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simple song. you can also find it on the Frail EP which was put together in the months after this album.
Peter Hochstedler provided great lead guitar.
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one of the songs i'm most content with on this album. written along with several in the bowling alley (aka basment) of my highschool dorm.
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an instrumental track.
the voices/screaming/giggling in the back are Melissa Akkurt being tickled by Buddy Fick.
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This work is dedicated to Andy Jaffe, jazz composer, pianist, arranger and teacher. I studied with Andy at Williams College from 1988 to 1992, and his approach to music-making and teaching has influenced everything all my work since. He once related…
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for the RPM challenge.
i just want to touch you. baby will you touch me? i want to get inside you. i try to hypnotize you.
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just mixed a new samples out of my tracks including all hot shots with one of the best featuring Yung_Champ's(looperman) Real Talk' so be sure you have a listen and don't miss this hot piece. free for download
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A very minimalist song from our “In My Mind” album.
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The 200th glu track on alonetone! It's about time I put together a proper welcome track.
intro demo for RPM
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this is just the basics...give it a listen and let me know what you think. It's all rather raw...lots more to be done. :)
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Recorded: Feb 4, 2009
Details: Epiphone Les Paul (EBEF#BE - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
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rehearsal recording
martin - keyboard
georg - guitar
ulrich - drums
helmut - bass
not 'pink floyd' but genesis. as you hear, we are into the seventies - the only drugs involved: german beer ;-)
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RPM demo filler track. you see where this is all going.
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A track based on an accidental rhythm track I created while playing with a free VTS Host program, overlaid with an ambient tone and a Text to Speech-ified reading from Francis E. Dec's "GANGSTER COMPUTER GOD WORLD- WIDE SECRET CONTAINMENT POLICY…
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The first track of a suite based on the SubGenius Pamphlet #1; the track has a Drone-y bassline with an avalanche of drums, no real melody to speak of, and the words are spoken by an old, wonky MicroSoft Text to Speech engine.
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A series of echoing gongs played in various keys to create patterns of echoes, and occasionally chords. One of my mellowest pieces, almost meditative.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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First demo from my 2009 RPM project, "Signal To Noise".
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AKA "Better than Donating Organs". First project for MICA's Sound 1 class. This sounded a heck of a lot cooler when I first edited it! Oh well. Learning Protools.
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Recording at Joe Squared in Baltimore, edited for the first project of Sound 1
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Project 1 - live field recordings manipulated into some kind of cohesive state.
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i have sampled an artist called unicornicopia from new york for the first project. (Sound I)
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An album length Ambient piece that sounds almost like wind chimes (from little tiny tinkly ones up to ones the size of Oil Trucks) in a slight breeze while various insects sing in the distance... Almost... but the insects sound like they're made…
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I think it's new age or electronica or something.
This is song #2 for the February FAWM/RPM challenges.
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Recorded: Feb 6, 2009
Details: Epiphone Les Paul (EADGBE - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
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This was recorded in Nova Scotia in August 2007. It is a shortwave brodcast and is 30 minutes long. The brodcasts were recorded useing a 1950's tube reciever. This is part of a ongoing recording project to document analogue shortwave signals.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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There was a contest. I entered. I made the Top 100 and the Judges' Picks lists. Looking back on the whole thing, I'm REALLY glad I didn't win. It was the "Public Radio Talent Quest." The idea was to find the next great public radio host. Three…
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Work in progress!
Inspired by all the awesome people I know in my cryptology class. I was writing an email and just... had to compose something. There's going to be gitz in this somewhere... but for now, only basic synths and an unfiltered…
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