alonetone radio: Popular
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Inbetween serious and slow composing the urge came to smash some things up, so play it LOUD
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Merry Christmas!
I really hope this brings some peace, to a troubled soul...
Jesus Loves you so very much, Rest in Jesus.
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Check out the video, it'll make more sense that way.
This is the first part to a collaborative project I am conducting with an old friend who happens to be an amazing artist, Mr. Rich Gibbs. He is putting together a story through comics that…
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...I know, mildly disturbing -- don't read too much into it, most people have a tendency to misinterpret my words
lyrics:
//Gravity
//You took my seed
//I know you wish
//You could keep me from this
I've got a gift for you little girl
If you…
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...more of a dramatic reading than a song per say...
It's a poem from the book "Alice's Adventures in Wonderland" by Lewis Carroll. I recorded this around 4 years ago when I was messing around with some recording equipment I had just bought.
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Previously released as "a little moon music", Here, used as the background for a video i made in Oct of Great White Sharks http://www.youtube.com/watch?v=iX5R3lrxmYs
This is not the typical Discovery Channel version, here i saw the more languid…
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RosaLinda, unbeknown to me took my song Ellis Road and made this fantastic song called "Tactual Sensation." I was very pleased!! Linda is from Sweden and now lives in Norway. She does not have an account here but perhaps soon. Anyway enjoy.
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It's a part of the song I'm working on,
maybe the rest of it lands in the garbage can where it belongs to.
The vocal part's intention was to be a capella,
but the piano impro is suitable... somehow.
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more of the condensed version but nice as electronics going ons..
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A Concerto for Flute and Orchestra
EMFEB and Ben Elln
Flute: Gareth McLearnon.
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A Concerto for Horn and Orchestra.
Played in London by EMFEB Orchestra under Ben Ellin.
Horn: John Davy
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(Syd Barrett) - early Pink Floyd song written by Syd. I gave it an Eastern treatment with harmonium, hand percussion, and guitar.
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describe everyone or Tell this music a story for us
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Recorded in 2005.
Joe Silence - vocals and all instruments; tracked by Joe Silence at Spit Recorders.
Mixed by Joe Griffin of Toxic Bag Productions.
The guitar solo is not actually a guitar.
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Ya know, driving around in a cold winter snow storm picturing tropical islands.
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a field recording/sound collage from last Saturday at the Fort Worth MOMA. Sounds inside the Serra sculpture Vortex, and the African percussion/dance ensemble Jumbie.
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This is a remake of Samba do Bonde, now with portuguese lyrics. A loose translation below:
Priviledge, the two of us here
to sit, converse, to feel
the warmth of friendship
always too brief
just a give and take between immortals
(close…
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Recorded in 2004.
Joe Silence - guitars, synths, Optigan, sound collage
Alissa Barthel - ghost vocals
Jonathon Wing - drum solo
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i got home from street chant at like 2am, took my clothes off, sat on my bed and wrote this. its about me. and you and me. and i dedicate it to sylvia plath, because she is very cool.
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from the album "the Hardest Blow" featuring vocals & samples from Barney of Vivian Circle
I’m just singing for the war, inside me
Four thousand soldiers dead, maybe more, maybe more
It’s hard to read between the lines, so blurry now…
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Recorded in 2006.
Joe Silence - guitars, beats, vocals
Mark Cook - fretless and 12-string basses
Originally written by Russell Cowser.
New arrangement and additional material by Joe Blair.
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Recorded in 2005.
The keyboard sound in the second half is a backwards electric piano processed through a triggered filter (kind of like a Mutron III).
Muted the vocals cos I'm not too pleased with the lyrics or performance.
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