Best Of My Love by The Eagles - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by Mike Woosley…

Listen To The Music by The Doobie Brothers - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by…

Lady by Kenny Rogers - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by Mike Woosley, guitar…

Play That Funky Music White Boy by Wild Cherry - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are…

Summertime - a classic from the musical Porgy and Bess - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals…

On The Road Again by Willie Nelson - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by Mike Woosley…

Easy Like Sunday Morning by Lionel Ritchie - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by…

Your Momma Don't Dance and Your Daddy Don't Rock and Roll - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All…

Written for Noel MacDuffie's dance theater piece, Soul Descending, this opening scene sees poor William, the last male inhabitant of tiny island community, lost at sea by a sudden storm and his broken body washed upon the shore. Live flute by…

Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees poor William mourned and laid to rest by his wife Abagail and the few remaining woman of the island community. Unseen by them (though sensed by Abagail), William…

Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees the distraught Abagail gently carried by her neighbors from her husband's funeral to their home. Shakuhachi by Eran Glantz.

Sethji was a sant. He never made a Guru. He was the acharya of selfless service. Guru not needed for Kalyan.

another one for the special electro-pop collection. Threw this together in the wee hours of the morning.

AC/DC cover. Everything played by me. Fun song, I did everything in 1-2 takes.

This is an old one...just wanted to share it. Do you feel the tears fall fall from heaven gathering as puddles at your feet does it stain your shoes? if i stay long...no I won't i won't bare it any longer do you feel the heart sigh…

with drums from kompoz.com member MUD

it will. (started adding dates to the tracks as part of my new digital organizational scheme, for you who noticed)

words coming soon.

For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…

If it makes you laugh, you're supposed to laugh. If it makes you feel sick, you're meant to feel sick. If you like it, thanks. I saw you in the locker bay. I heard you like Toulouse-Lautrec. and by the way I didn't write the last twenty seconds…

well its nearly there. I like to put stuff that I am working on up so that I can listen to it in passing for a day or so, it gives me the chance to hear it with new ears. And maybe get a little feedback/ suggestions. I need to finish the vocal…

Jonathan Thomas opens on Chapter 2:6-15

This is the title track and was written in the 90s to a boss who resisted change and it's obvious benefits.

A live gig recording. Flute by Ross Reitzammer

Arturia Minimoog V (arpeggios), GForce M-Tron (textures), Prophet '08 (everything else). This is one of my more band-like pieces.

A live gig recording.

Almost all tracks are layered monophonic Minimoogs (except for the "strings"). I plan on adding robot vocals, but that might take some time.

The core of this track was done in Numerology (burbling sequence and percussive "bells"), with additional drones, textures and drenched-in-echo melodies added later.

Moog Minimoog Voyager, with a little extra texture from an Access Virus Indigo 2.

All tracks Prophet '08

Arpeggios by Monowave, textures by Access Virus Indigo 2, synth intro by Multimoog, main synth lines by Moog Little Phatty, additional strangeness by Flame Talking Synth.

All tracks Prophet '08

This track is done on an Elektron Monomachine, recorded in one pass with no overdubs.

A live gig recording.

This song is really two different but related songs which I merged together into one longer one, making it in a sense one song with two different moods. To me, both parts are somewhat wistful, somewhat regretful, and somewhat full of longing for…

This track is done on an Elektron Monomachine, recorded in one pass with no overdubs. The goal was to do a long, slow ambient piece which slowly built up and changed over time. What happened instead is that I made something that's somewhat eerie…

Recorded early 2008. Prophet '08 (pulses, soft texture, melody line), Oberheim Matrix 6R (swirly textures).

Textures and burbling arpeggios by Waldorf PPG 2.V, non-burbling texture by Gforce M-tron and Arturia Minimoog V, madness by Sonic Charge Synplant.

All sounds on the track are made with Synplant (from Sonic Charge).

Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.

The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk. In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…

you know you're hopeless when you think falling asleep on the couch is romantic...

so yeah, a love song.

this is a rockin version of an older song. sadly, this is about as balls-out rockin as i can get :)

This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…

www.dusthill.net BPM 86

Just something I wrote recently. Inspired by something I saw out running, and someone's Slashdot signature: "Computers allow people to make mistakes faster than any other invention, with the possible exception of handguns and tequila". I am…

Tell me the truth.

Trip hop track, may be listened as a soundtrack... As usual we tried to create a deep atmosphere with loads of melodies to give the listener a little journey full of new findings every time :) Anyway this time the BPM is a bit quicker : 87…