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Popular
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
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oh one can dream of
a life of luxury
a life of solitude
it's all in how you choose
and still don't pay no devil his due
heaven is just a step away
and how can this guy dream
of a life of luxury
of a life of solitude
it's all in how you play the…
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a cover song originally by The Dubliners
some of the lyrics were like a tongue twister hence why I messed up a few times.
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Original song I wrote with the goal of the Louisville Cardinal's football team coming on to the field to it. Go Cards!!
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I made this song, it's not really about Clyde in particular, just old tom-cats in general. (Such as myself...)
- Jack Merlot
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I used to blast this song so loudly in my little room - when that chorus hits, and that huge tidal wave of guitars, it is just breathtaking. And there is nothing I can say about the voice and aura of Armando Louder that hasn't already been said.
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The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
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To the Wind baby!
Thanks for the vocal on this Mark bro!
You inspiered a band name....
(See Youtube Below)
This was Done on Logic.. Hope Y'all like it.
Peace
T
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Here's another tune from the Wild and Wacky world of Rubber.
Special thanks to Erin - The Panes for lending us her magnificent voice.
As usual, we tore it up and turned it up side down.
Thanks again Erin.
http://alonetone.com/thepanes
Enjoy!
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Lullaby for Josephine - written by Laura Kepner-Adney
Now it’s time to go to sleep
Send my love to your dreams
Now it’s time to say goodnight
Kiss you once, hold you tight
Stars falling wherever you are
Send my love to the stars…
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One for my electronic friends. It's just a bunch of patches mixed with MIDI and glued together with 1 part water, 2 parts flour, and 2 parts ectoplasma.
Enjoy!
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an older track that never found a release other than lurking on my mydork page for a few years.
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Tried out some new pop sensibilities
This is a very rough mix...the vocals need a lot of work but I wanted to get it out there right after I wrote it
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The Endless Mountains Music Festival Orchestra (EMMF)
Steadman Theatre, Summer 2010
Recording/Mixing Engineer - Brad Rissmiller
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I wrote another song but the general reaction suggested that I best "scrap the puppy." So, I salvaged what I could and started over. This is what I got...
I CAN'T BELIEVE SHE'S GONE
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new mix..hope its not too shabby..a one man band..
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I wrote this today in a new creative process, writing a poem first, then a lead part and ending with an accompaniment. It's definitely a different sound: I was experimenting. Some of my other influences came through on this one. Also, I paraphrased…
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paranoia, misanthropy, distrust and maybe even a shred of hope.
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As most of our other tracks, this is a rehearsal gone right ;) and the song turned into a long improv session. Enjoy ;)
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Well, this is a tough one: It's an ironic song about a hot potato, but the way it's sung, the listener thinks it's about a beautiful woman until the very end. I'll post translations some day...
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This is my cover version of a recently written song about famine era Passage West, a port town in Co. Cork, Ireland. Written by John Spillane and released in 2009.
John Spillane's myspace page is http://www.myspace.com/johnsp
illane
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Modeled kinda after a Thursday song. Using drums from a drum machine with guitars and bass.
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keyboard percusion + xenharmonic dulcimer + drum machine + warbly strings + saturated bass + field recordings
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Used a drum machine and played guitar and bass over top. Maybe not quite rap.
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My softer side. Some interesting time signatures in here.
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I had been reading about the testing of the atomic bomb, which was directed by J. Robert Oppenheimer. The approach to its development was so scientific and clinical, and it struck how much of an emotional tirade Oppenheimer must have experienced…
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This is the first single from my debut album, Burn Indigo. It's about the pressure of trying to write profound lyrics.
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This song was my first attempt at writing specifically for keyboard. I think it came out really well!
If you stick out the verse-chorus-verse structure at the beginning, the song comes back with a vengeance right at the end!
If you like…
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If you like my music and are interested in picking up a copy of my album, please visit http://www.cellxadore.co.uk !
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