alonetone radio: Popular
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Logic's noise gate and vocal transformer are my new best friends. I really enjoyed messing with them and thought I'd have another go.
I've always quite liked pulsing ambient and it seemed to come naturally. This time we have Rytme playing Kore…
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Ok, I just semi-mastered this track.. and this should be the final edition of it... Thank you all for listening...
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
I added melodies to the initial track and then Sister Savage
rerecorded the vocals to match the new melody.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
This one is pure pop. Voice pitched 1/2 step up.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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This is a short teaser of my Electro-like remix that I entered into a contest organized by the Dutch radio station SlamFM.
I haven't uploaded the full thing because I don't want to get into copyright issues, so if you like the sound of the beat…
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This is a cover of Sister Savage's (well, her daughter's) recent effort by the same name... ;-)
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From a poem Julie wrote at age nine, "The Whispering Wind", comes a song composed in collaboration with Grant Duncan. This is rock, pop with a blustery story.
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Lyrics for 'Wild and Free' came while looking at a painting of the head of a horse. Composed by Julie Day and Grant Duncan in 2007, this rock song has a swing element to it. Enjoy.
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'Time' is an ambient piece; which is said to reflect human nature from one point of view. This is a slow melodic new age/world genre short song. Someone who listened said it would best serve in pre-meditative scenarious.
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number 5! last one I guess.... If I make another one, it will be for piano and other instrument
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slightly reworked version of the longest limousine.
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this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
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First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
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philip hinge - drums
ryan wolper - lead guitar
daniel - lead & rhythm guitar
arda erdogan - rhythm guitar, samples, producer
jack mcrory - recording supervisor, producer assistant
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This is the raw vocal with guitar... I had a bad cold, so it is very nasal... but I plan on re-recording it when I feel a little better and my sinuses clear up.
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Taking a drum track I built in Hydrogen, mixed with about 100 Thousand descending Shepard Tones (http://en.wikipedia.org/wiki/Shepard_tone), and a noise drone built of sequenced tones from the KLSTRBAS Nyquist plugin. I'm not sure I like the…
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Originally recorded for Vivian Circle, it never felt comfortable there. The uncomfortableness of PALLAS songs, made it fit. Square hole. Round peg.
perfection.
Oh, and this is officially the first PALLAS song.
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003. This track was recorded during Seafair weekend. That's one of the "Blue Angels" flying…
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This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003.
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At the end of 2003, I was recording a bunch of covers in my basement in Portland, Oregon. This was the only original recording from that time. I was pretty bummed out at the time...
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I wrote this song for a musical Thanksgiving party that Sudara threw in Santa Fe back in 2002.
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A spacey electronic number.
Part of my song a week project.
http://yelyah.com/song-a-week/
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I made a song out of the fable "The Boy and the Schoolmaster" by Jean De La Fontaine, that french writer from the 17th century.
And here's the story:
"
A boy, that frolicked on the banks of Seine,
Fell in, and would have found a watery grave…
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These are 3 variations to the mexican "the cockroach" popular theme
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My evening challenge: compose and record a piece in an evening. I stitched together a couple of demos and added a virtual Harry Partch instrument.
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My evening challenge: Compose and record something in an evening.
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The original mix (on the RPM '09 album) was drenched in mic hiss. I used noise reduction to remove about 2/3 of it for this version (it didn't seem right to remove it completely). I roll off the noise reduction at the end for the au naturale outro.
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The plinky sound is an acoustic guitar prepared with a drumstick stuck under the strings.
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I was just playing along with a looper pedal, trying to work out some ideas for a "real" song. I was just recording straight to a single stereo track and not worrying much about my playing or the mix. But when I listened back afterwards, I thought…
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Testing new toy Korg R3. All of these sounds are created by me. R3 is really great.
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I started with a MIDI file created by seeding the "Meta-Composer" Poodles & Flan with the word "Memory," and then fed it to three virtual VST instruments: Tweakbench Carillion & Tapeworm, respectively a Bell Modeling synth & Mellotron…
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Another mix of video game sounds plus acoustic instruments (a la the flute in this one). Thanks for listening!
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A cautionary tale.
Tune shamelessly stolen from "All About You" by McFly.
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As a super Buxtehude, Hartmann and Bach fan I always wanted to compose music for organ... so this is the second of my sublime passages for organ. This is a Prelude and Fantasy-Fugue in C minor
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Prequel to Mondo Boss' hit single "Feel It Now (Girl You Want Me)." Tells the complicated and complex story that comes after meeting a beautiful girl on the street.
Featuring Mixmaster Beardface.
Lyrics:
When I met you on the street
my…
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A cover of a song written by Glasgow musician Phil Campbell.
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I wrote this for a small orchestra a few years ago. Its a tribute to Igor Stravinsky
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I actually composed this entire song in a piece of guitar tab software called Guitar Pro. Then I exported it to MIDI, imported it into Reaper, and assigned better sounding VST instruments to each track. The purpose behind it was to see if someone…
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A blues jam session with myself. I love playing the blues, so I wanted to create something where I got to do it all.
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Filho Sumido is portuguese for "Lost Son".
Its my little bossa way of describing what its like to be away from the place I love, Brazil. Like a lost son. Someday I may make an english version - but then, maybe not. After all, its about Brazil…
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A song that came to me when I was fishing in the rain with some of my Mamainde buddies. The Mamainde is a small endangered Amazonian tribe of 230 people in west-central Brazil. This song attempts to tell their story…
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The Portuguese version of "Raining on the Cabixi".
If you listen close, and if you can tell the difference between an indo-european language and an amerindian language, you will hear the second verse sung in Mamainde - an endangered language…
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This song is in memory of my son,
Micah Eberhard
(Jan 27, 1987 - Aug 8, 2007)
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Neath the clay, iMago dEi
glory keeps while beauty sleeps
from the womb a flower blooms
brights the day, blesses the clay…
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Vocals and percussion are courtesy of another recent alonetoner, K. Scot Sparks. While recording a simple guitar track in Kev's garage, things got intersting when we opened the garage door, and let the sounds of this huge flock of birds in the…
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This is a prelude I wrote for my son, this is the piano solo version, theres another one with cello
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