This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
heh, by not fading out, you snapped me right out of the trance you put me in...
Sadly for me, the tech info in the about went right over my ol' dinosaur head. But I really like the texture of that bell sound as well as the rhythmic variations (even if I do have a brain the size of a walnut).
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
I'm going through something of a dark time at the moment and it's a rare evening I actually have something tangible to show for it. Mostly it's frustration, depression, and a blanket of grey despair. Tonight was different and I can only hope that…
Didn't really grab me at first, but after about 5 minutes in 'click' and I'm loving it. I'm definitely planning on downloading a bunch of your tracks for offline headphone listening while armed with one of those funny cigarettes. ;)
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
Ah mes non, it appears I have mislead you. What sounds like a guitar is in fact.. a guitar. It's one of the very nice lap steel guitars from Omnisphere and I play the chords I used for the piano part which was used to create the main glitchmosphere.
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
More LoopShifted piano accompanied by Stylus RMX and Omnisphere. At over eight minutes it's perhaps a little self-indulgent but maybe it's more like punting down the river Styx than jet-skiing on a lake of fire.
Very cinematic, I love the space in it, makes me imagine a self-luminated living cave system. I'll be listening again on a nice pair of headphones later on tonight. Keep it coming! :)
This is my first run through the 7th Goldberg variation. It's been about a month since I started practicing it. This is the first time I "made it"—meaning, it's a bit fumbling and pushes and pulls, but hey, I hit all the notes!
I've played…
2nd in my series of granular/glitch piano creations.
This time I am trying out a new instrument called Cumulus with a sample from SoundIron Emotional Piano. I setup the scene points and let the internal sequencer run, then put it through Audio…
First demo of the finished Novaphone 340 Grand instrument (v1.0.4) including some of the sample content that will be released with the final instrument. In this case I used 5 samples of a Reaktor based drone generator by [nofi](http://soundcloud…
Really nice Bruce.
I do wish I could figure out improvFriday. Every time I think about it I go to the site and have no clue what to do next or how people upload or even if they are welcome to. It's all so baffling.
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Loved this as soon as I heard it. You've really nailed the crunchy yet spacey guitar texture and I think the two blend well together. Greater than the sum of it's parts!
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Comments on Mr Sandbags's stuff
Yeah my apologies to all listeners for not putting a fat reverb tail on this one. I wasn't thinking too hard. I might do that an re-upload it.
heh, by not fading out, you snapped me right out of the trance you put me in... Sadly for me, the tech info in the about went right over my ol' dinosaur head. But I really like the texture of that bell sound as well as the rhythmic variations (even if I do have a brain the size of a walnut).
Inspiring! Can hear vocals poured all over this!
this is sweet man
i like the vinyl bass to it..impressive stuff!
i like the variations in the bass. very atmospheric song.
very subtle and nuanced, excellent ambient..
Psychedelic!
nice ambient!!
nice ambient!!
nice ambient!!
Didn't really grab me at first, but after about 5 minutes in 'click' and I'm loving it. I'm definitely planning on downloading a bunch of your tracks for offline headphone listening while armed with one of those funny cigarettes. ;)
I love big, never ending pads. Honored to even be considered a speck in this great expanse
Very Cool! Really digging this bit around 6 minutes or so!
Ah mes non, it appears I have mislead you. What sounds like a guitar is in fact.. a guitar. It's one of the very nice lap steel guitars from Omnisphere and I play the chords I used for the piano part which was used to create the main glitchmosphere.
This is a keeper. That thing that sounds like a guitar is actually an affected piano? Very cool.
Marvellous, really, really good. :)
I can feel vacuum of space sucking the eyeballs out of my sockets even as I type this.
Yes - I love it.
Very cinematic, I love the space in it, makes me imagine a self-luminated living cave system. I'll be listening again on a nice pair of headphones later on tonight. Keep it coming! :)
Comments made by Mr Sandbags
Bravo! Bravo!
I think it's too long, not enough variation, and needs at least some filtering. Might try a cello next time, or maybe a harmonica.
@Bethan: thanks... something like "Passing of the comet" would have been a much better title :)
@igor: it's often the way with poetry, no? But you offer an interesting historical footnote :) But, in a sense, the poem is a distraction.
Really nice Bruce. I do wish I could figure out improvFriday. Every time I think about it I go to the site and have no clue what to do next or how people upload or even if they are welcome to. It's all so baffling.
Like I said for the demo, really strong track with a great sound & vocal. I like this one very much.
@igor: words fail me :) @sister: thank you :)
@Bethan: thanks... my imagery was of drifting far out on the edge of the solar system. A very similar feel... down in the inky depths.
Like your sound and the vocal, good track.
That's pretty cool. Wasn't sure what to expect, but I like it.
That was quite a trip!
Cool track.
Loved this as soon as I heard it. You've really nailed the crunchy yet spacey guitar texture and I think the two blend well together. Greater than the sum of it's parts!
Really cool. Geas is right, but you gotta play the UK!!
@wg: My plan to have Professor Plum take the fall has come to naught I see :)
@bethan: thanks, that's an evocative image, i like it.
@Johnny: thanks, i think it shows some promise :)
Grungy and great!
@Sis: Have to be careful of things swooping on you strangely :)
Even your rehearsals are ACE! :)