Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
Sounds 15th century to me. I think the beauty of this lovely piece is the fact that apart from it being beautifully played, it is timeless.
A piece that doth posess wondrous endurance.
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.
Added a little more to this nice little change of strumming patterns played as an excuse to write a little love song.
I FOUND LOVE
You know I love you more than I
Ever thought one simple man could
You know I need you more than I
Ever…
The berimbau is a Brazilian instrument associated with Capoeira, which is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native…
finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.
Lyrics:
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I hate you when you breathe. Could you stop?
Waking up is hard to do when sleep never comes
But your ugly faces woke me up...
Callous sycophants
I know you too well to rest again
I'll stay up forever. I'll be ready
I've seen…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
these are the dronishness effects going thru my mind at times..
I have the midi files saved if you would like them? although some of this is performance midi records If I can say that? ;)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
Comments on vaisvil's stuff
Excellent!
Beautiful playing!
Strong sounds! But oh, sad pic of the swan! And what a desolate road to die upon. :-(
oh man. i love this tune. john downland is a champ, and this is a great rendition.
Just heard this loud. Oh my god. That'll be a big fat fave then.
great piece, and excellent transposition!
neat-o!
Sounds 15th century to me. I think the beauty of this lovely piece is the fact that apart from it being beautifully played, it is timeless. A piece that doth posess wondrous endurance.
This is the sort of stuff Jane Austen listened to while she penned Elizabeth Bennet's growing affection for Mr Darcy. Lovely!
Wow, awesome closing credits sound!
No shit! The build into the unknown makes me wish there was another five minutes tacked on the end.
Killer guitar!! Kind of as a "There goes my girl" feel to it. Very cool!
most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!
What a tremendous and full sound. Awesome as they say.
really good!!!!!!!
Scorching guitar playing. Ooooo that's a great change up at 3:00. Spooky.
Wild rock'n out mix.
Awesome tones!
Nice ax work!
Sit back, relax, smoke'em if ya got'em. This is well worth the time.
Comments made by vaisvil
ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.
the scope of this is totally impressive
one of my favorite songs - done really well!
Beautiful Richard!!
this is an excellent song!
finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.
This is cool! You made the google guitar sound like its going through a *huge* stack.
wow. very powerful words and music.
this is excellent - and unique!
lovely Richard! Sounds light music for a candle light dinner.
thank you for the listen and comment on my seagull improv.
Reg - he did do something like that one day - and yes it was great!
and the excellence of the music should be overlooked too.
Reg - you are one heck of a story teller! Have you considered writing a novel or short story?
Hi John, I like this one.
you should be creating music for sci-fi films!
I wish AT had a repeat button. I'm downloading this - great piece Norm!
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?