The Book of the Dead contains a spell for this process
My mouth is opened by Ptah,
My mouth's bonds are loosed by my city-god.
Thoth has come fully equipped with spells,
He looses the bonds of Seth from my mouth…
Angelos Quetzacoatl composed this piece and then we performed it on video for your enjoyment during a recent visit. Angelos plays fretless guitar and I play fretless bass in 24 edo (quartertones).
score is here: http://chrisvaisvil.com/?p=1959
My kids no nail jelly to the wall... I'm sure Of it when I'm try to scrub it off. .. Love the vocal kinda got a touch of early Grace slick about it sand the guitar sounds great very psychedelic
Pretty cool.
You know, I can only guess...
It sure has a twangy resonance, though.
Well, also, I saw some stuff on Sonic Youth where they were talking about designing tunes around one crappy instrument, because it was the only way they could get it to play.
Just sayin'. But, you know I like stuff like this. Like listening to fan overtones, it seems like. Pretty neat.
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Well heres my attempt at singing Jerusalem....i would have liked to have performed it better so that the vocal would have done Chris's music more Justice but sometimes you just have to do what you can and go with the flow........thanks Chris…
Comments on vaisvil's stuff
Watch out for the EMF's their out to get you....Fab track Chris
Excellent really dig this
Thats a trip!
Cool setting for an awesome poem. Thanks for sharing! :)
Interesting alternate tuning there. :)
That's some heavy-duty office intrigue. Dig the backwards guitar.
Charming use of spoken word, very nice
It's a WOW tune. Cool shit.
We thank you Reg!
My kids no nail jelly to the wall... I'm sure Of it when I'm try to scrub it off. .. Love the vocal kinda got a touch of early Grace slick about it sand the guitar sounds great very psychedelic
We thank you Brett Warren!
K, I'm gonna comment on this twice. This is like straight outta prog-era Eno.
Holy crap, this is the weirdest thing I've heard in a long time. Bravo, sir.
Great
Sad News.....
I can see this being sampled but i do like it for what it is as well.
Liking this work as it is more different then anything I have heard you do.. a pleasantry indeed.
Pretty cool. You know, I can only guess... It sure has a twangy resonance, though. Well, also, I saw some stuff on Sonic Youth where they were talking about designing tunes around one crappy instrument, because it was the only way they could get it to play. Just sayin'. But, you know I like stuff like this. Like listening to fan overtones, it seems like. Pretty neat.
Nice textures!
Wow, I love your perspective.
Comments made by vaisvil
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.
wow! a beautiful memory - very cool. I've only seen just a few meteors so I'm glad to hear your story!
excellent! great vocals and guitar!
Thanks for making this happen!