Another oldie as I work on other stuff. State of the art PC sound in 1991 was the Adlib card with one OPL2 FM synthesis chip w/o audio capability. Limiting as that was I still had a lot of fun with it. This is one example - I love that lo-fi…
Nero's Butterfly Two Star Poem Remix
This is a collaboration with anonymous and my wife. I wrote the script / lyrics and anonymous did everything else. So I can say - I've always admired the excellent performance of both - Debbie did the voice…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Nero's Butterfly Two Star Poem Remix
This is a collaboration with anonymous and my wife. I wrote the script / lyrics and anonymous did everything else. So I can say - I've always admired the excellent performance of both - Debbie did the voice…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
This piece came from controversy over ratings at another website called www.traxinspace.com
Tricky (Jeroen Broks) wrote and recited a poem that a number of people put to music in an impromptu competition. Original http://www.traxinspace.com…
This piece came from controversy over ratings at another website called www.traxinspace.com
Tricky (Jeroen Broks) wrote and recited a poem that a number of people put to music in an impromptu competition. Original http://www.traxinspace.com…
I think it is very smart that AT does not have a system of "ranking" or "rating" songs other than "favorite". Such a system, by it's very nature, is just going to hurt somebody's feelings.
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Chris,, where to begin? perhaps it's best to just listen? beautifully relaxed playing, your touch here is "simple" and so full,,, (which to my way of thinking is the highest praise i can say, i think you'll understand),, 2nd listen,,,, i often consider the silence between the notes to be as beautiful/important as the notes themselves,, seems like that to me here..... i believe you have created a small master piece here,, well well done ps thanks for you listen and comments on WN,, i always appreciate them Richard
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
This is a piano improvisation that mixes Pianoteq in Werckmeister III tuning with Cakewalk’s True Piano in 12 equal. What results is a soft phased piano sound. This skirts right on the edge of what can be considered microtonal. Some may well…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
This is a piano improvisation that mixes Pianoteq in Werckmeister III tuning with Cakewalk’s True Piano in 12 equal. What results is a soft phased piano sound. This skirts right on the edge of what can be considered microtonal. Some may well…
Well, I didn't understand what you had to say about the tones of this piece, but I enjoyed it.
And what a photo. Desperate. But well dressed. I sort of wish that was still the fashion...
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
This is just a bit of silly fun I had one day with a four-track cassette recorder...about 9 years ago (yup...another lost find fro the racks). Just blowin' off some steam on a day off in my little apartment of Tokyo. On first listen-back...it…
Another one For Wren's Album
Little Bird
ORH:Vocals and Lyrics
OsCKilO: MusicLittle Bird, Little Bird
the tiny brown wren
so small but so loud
its voice fills the woodlands and moorlands and farms
its beautiful song
so vibrant and full
it…
This is the third song from the Thomas - Lennon project.
A collaboration with Michael Thomas of Cave Street.
http://alonetone.com/cavestreet
Lyrics and vocals - Michael Thomas
Wildgeas Music - Paul Lennon
Enjoy!
Love is Free
as you let it…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Comments on vaisvil's stuff
Cleverness as usual.
Trolls ate traxinspace?! That's sad. Intriguing piece!
Absolutely beautiful!
Ah, the good 'ol days of TraxInSpace... this was a classic there!
!!! beautious.
wow! that was breath taking deep!
I like your music very much - it's dramatic and compelling!
I think it is very smart that AT does not have a system of "ranking" or "rating" songs other than "favorite". Such a system, by it's very nature, is just going to hurt somebody's feelings.
Chris,, where to begin? perhaps it's best to just listen? beautifully relaxed playing, your touch here is "simple" and so full,,, (which to my way of thinking is the highest praise i can say, i think you'll understand),, 2nd listen,,,, i often consider the silence between the notes to be as beautiful/important as the notes themselves,, seems like that to me here..... i believe you have created a small master piece here,, well well done ps thanks for you listen and comments on WN,, i always appreciate them Richard
Piepod Thought provoking, yet relaxing.... LG
Oh I LOVE the pic! Cool 70s vibe! That vocal is spot on!
Tear-jerking...not sure why. My daughters are growing up. It's MY growing pain. Love it when the woodwind kicks in at 2 mins.
Scorching strings!
There's definitely a story behind this piece, would like to see some modern dance translating it.
Like the first few flickers of a new fire.
The evoked emotion with this microtonal piece is perfect for pondering the future-even for hominids
Lucy has seen the future and it is microtonal!
cool chords and tones. would it be ok for me to try and add some guitar to this tune?
Well, I didn't understand what you had to say about the tones of this piece, but I enjoyed it. And what a photo. Desperate. But well dressed. I sort of wish that was still the fashion...
cool, gritty tune
Comments made by vaisvil
love the FM synth sounding lines!
Beautiful and serene
very dreamy lovely song!
I'm not familiar with the original - this version is absolutely touching though!
sweet sound and great playing!
wow you ARE pink floyd! This is a out take from Ummagumma right?
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.