jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
the theory of Bed Henkings posted in the AT forum at the request of coelocanth
http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
Caveat emptor: I did absolutely none of the drumming in this piece.
ANOTHER WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey delighted me with another visit this evening. He played "Aju" - all 5 tracks…
This is so complex rhythmically that I don't know *how* to play along. I'm not sure if one should - it stands on its own - wow. This is a lesson here. Please send Alex my regards for his skill and sharing his cultural heritage.
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
Thanks for the listen and comment! Well, no, I was a short haired old man when that solo happened (anyone over 29 is old of course). I don't know what PiL means.
A short improv piece. I'm starting a new project, where I will post at least one improv video/recording online each week, and at the end of each month collate them into an album.
This is the first one. Since July is almost over, I figure I…
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
Comments on vaisvil's stuff
Sweet
Had to come back for another listen. Really gorgeous piece, but oddly enough I keep wanting to hear it in equal temperament!
Dynamic, slightly atonal. Nice!
Lovely!
Inspired! Love the beats and the clanging sound throughout - great rising synth voices also.
beautiful decemberpiece
What a gorgeous piece. Now, that's lovely!
Wow, powerful stuff indeed. Crumbs Chris, that's amazing.
No saint, her.
Nice!
Had a few listens (TIS)...Great track!
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
Comments made by vaisvil
nice ambient!!
nice ambient!!
nice ambient!!
this is Romanian reggae?
the theory of Bed Henkings posted in the AT forum at the request of coelocanth http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
I feel like I'm a beatnik scene with a scanner - very odd vibes - nice!!
This is so complex rhythmically that I don't know *how* to play along. I'm not sure if one should - it stands on its own - wow. This is a lesson here. Please send Alex my regards for his skill and sharing his cultural heritage.
wow! this weird! in the best way!! Is that your guitar beating away?
This was one of the better collaboration experiences I have had - I really like what we ended up with.
Thanks for the listen and comment! Well, no, I was a short haired old man when that solo happened (anyone over 29 is old of course). I don't know what PiL means.
love this video!
excellent! I love the percs and the mix of elements in this!
cool piece!
Nice and smooth.
nicely done~!
interesting ! What is your set up? It sounds as if you were recorded in a hall.
I especially like parts I and II - nice work!!
boy, are you ever going through a creative period - everything is sounding top notch - I love the percussion + ambiance style here. World electro?
interesting aggressive minimal electro
nice themes!