Sounds 15th century to me. I think the beauty of this lovely piece is the fact that apart from it being beautifully played, it is timeless. A piece that doth posess wondrous endurance.

This is the sort of stuff Jane Austen listened to while she penned Elizabeth Bennet's growing affection for Mr Darcy. Lovely!

Wow, awesome closing credits sound!

No shit! The build into the unknown makes me wish there was another five minutes tacked on the end.

Killer guitar!! Kind of as a "There goes my girl" feel to it. Very cool!

most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!

What a tremendous and full sound. Awesome as they say.

really good!!!!!!!

Scorching guitar playing. Ooooo that's a great change up at 3:00. Spooky.

Wild rock'n out mix.

Awesome tones!

Nice ax work!

Sit back, relax, smoke'em if ya got'em. This is well worth the time.

Dark, very dark. I like it! w;-)

Love those vocalisations later on in the track also. Epic, fellas, very cleverly done! Just so pro.

Deep, dark, and definitely Floydy!

Crikey, that's powerful! Gets the attention on the first second. Outstanding, I am not often speechless!

Very Atom Heart Mother, good job!

Just beautiful. Nice work, gents!

so cool, thank you!

very atmospheric - I like your touch Bruce!

nice trip!

very cool! I've not heard Arabic music a capella before! excellent!

great!!!

thank you for flying united :-)

nice work! I like your voice a lot.

Nice - I like the calm.

funky electro - strange sounds from another dimension - nicely done!!

excellent!

I like the vocals and song writing here. A bit post-Beatlesque

Is this Paul's extreme stretch? Nice work!

hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!

what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.

I liked this quartet a lot - better than No. 4. Melodically it just appealed.

yes! this is great Lalo!

love the effects in here.

excellent - sounds like dreamtime. I love it.

I like your guitar work here - especially past 2:10 - an improvisation?

nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.

like the harmony vocals a lot!