Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
interesting, early on i hear flavors of Bach in small snippets, mixed with, little flows of Gershwinesk cords,,, returning to Bach,, are you of fan of the WTC books? well played
for my ex....
Norm Harris performs the excellent percussion
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don't you go
Don't you even dare
Don't run away until you…
Year: 1983
Album:
Land of the Lost
Artist's description:
Music Concrete
This was recorded/performed in 1983
I used reel-to-reel and cassette and LP records and a HP-85 with 16k of ram, custom HP 8bit CPU @ 0.613MHz, running a BASIC program I…
for my ex....
Norm Harris performs the excellent percussion
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don't you go
Don't you even dare
Don't run away until you…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
interesting,,, the piece is epic and yet contained , like seeing a hurricane in a bottle,, well done
EXCELLENT! And 5/4 to boot! w;-)
it's actually a very sad and cool song :)
very fun
Debussy was truly one of the pioneer rock stars... thanks for illustrating that for us!
WAY TOOOOOO COOOOOL!!! w;-)
Wild! Like it!
bravo! great, great work.
interesting, early on i hear flavors of Bach in small snippets, mixed with, little flows of Gershwinesk cords,,, returning to Bach,, are you of fan of the WTC books? well played
Massive. Nice work!
HOLY CRAP - at 1:57 blown away!!!!! w;-)
Brilliant! w;-)
wow... great work, this is awesome!
great instrumental tracks,,, interesting timing change up,, and yes the sax gives a real bluesy feel
This is a true piece of history, in more ways than one!
I'm really glad you posted this one. I love the sax work...
Solid.
MUY BIEN!
You two did a great job with this. Tabla jazz - yes!
great soundscape, The indian flavor fits in great with the piano track
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?