A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
A traditional piece from the renaissance arranged for flute and two classical guitars.
I used meantone tuning which is probably a bit more authentic - though so very close to 12 equal that you may not notice the difference. http://en.wikipedia…
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
And here's another!
Nice work guys.
I don't seem to understand enough about what you're doing to make sensible comments. Except this - I like it, keep doing it!
Yes.
You're exploring a slightly different place than I am, but several times recently I've clicked on one of yours just to see "what's cooking" and each time you take me closer to this different place.
I'm starting to feel that vaisvil tunes are essential "Andrew Russe listening"! :-)
Just what I needed ......got the children ready for bed or rather wrestled them ready for bed and now to relax with some beautiful piano ......excellent Chris Thanks
There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
A rubbish track by Tess got the Sandbags treatment here - the results only hold shades of the original. And it's just as well.
Includes 91dreamloop.wav by NoiseCollector
Sandbags - composition, production, special effects
Tess - original…
Featuring Norm Harris on Percussion
http://alonetone.com/norm
Norm is playing his piece:
"Groove For All Hallows"
http://alonetone.com/norm/tracks/groove-for-all-hallows
my tribute to a very underrated, underappreciated band. 40 yrs ago thier self titled lp came out, and i cover one from the lp as a tribute on thier 40th anniversary. im not a lead guitarist, and a new singer, so please bear with me on that.
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Comments on vaisvil's stuff
Wow, sounds like a whale chorale. So clever!
Beautiful!
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
And here's another! Nice work guys. I don't seem to understand enough about what you're doing to make sensible comments. Except this - I like it, keep doing it!
Yes. You're exploring a slightly different place than I am, but several times recently I've clicked on one of yours just to see "what's cooking" and each time you take me closer to this different place. I'm starting to feel that vaisvil tunes are essential "Andrew Russe listening"! :-)
Well played.
So nice, love this tuning
This is mighty fine listening.
Just what I needed ......got the children ready for bed or rather wrestled them ready for bed and now to relax with some beautiful piano ......excellent Chris Thanks
Faved instantly. Great listening.
There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
Beautiful. It's as if the experience of flying is at hand.
Best I am the Walrus cover I've ever heard :)
Nice one well done.
and the Walrus was Paul. Good fun.
More bullhorn!
Totaly dig the Harpsichord! Cool version of this classic tune...Well done!
Enjoyed this Chris....Bravo...
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Nice build, I have no idea how this cool pad is built. I was playing along on electric guitar . Huge open sounds! Ilove this one. Steve
Comments made by vaisvil
I saw autoharp and I had to listen. I really like this song. Very nice vibe to it.
enjoyed - like Kate Bush meets Tori Amos at Apex Twin's home studio.
well, Iceland is about half-way - I say we have an Alontone party in Reykjavík - perhaps we can get Bjork to join in!!
this is lovely - way way too short!!
excellent - never heard the original but I love what you've done here.
awesome!!
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.