Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
Richard thank you so much for your support. I don't have a problem with simple though it is not something I strive for. Talking to God is hampered more by my inability at the keybaord. However I could not have written that piece on my guitar. I have great respect and admiration for someone like yourself who has command of the keyboard. I have a heck of a time putting to hands together to make something. Chris
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
A tune composed late in 2009, i've released it as well as other two tracks and some photos from a friend of mine as a micro-ep recently for free! Enjoy!
This is using a tuning I borrowed from The Smashing Pumpkins, which goes E-A-D-G#-B-E. Not…
This is the first song I uploaded to share on the internet when I first donned the name Alpha_Alpha. Thanks to fellow 'lonetoners and SoOn friends Norm and Vaisvil for contributing to make this song really special!
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
This particular broadcast was talked out about a half hour before I went to my 'You Screwed up' meeting at school. I'd barely woken up and I was ready to Talk Hard about Life (It's capatilized because it's the only one YOU'VE got. That means it…
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
Comments on vaisvil's stuff
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
Comments made by vaisvil
Richard thank you so much for your support. I don't have a problem with simple though it is not something I strive for. Talking to God is hampered more by my inability at the keybaord. However I could not have written that piece on my guitar. I have great respect and admiration for someone like yourself who has command of the keyboard. I have a heck of a time putting to hands together to make something. Chris
great work my friend!!
I'll give a shot in putting sax to this
lovely - this is chill out at its best!
Lovely!!!
Excellent!
you sound like Radiohead from In Rainbows in places here!
I love this tune! I have in my car and listen to it fairly often!
dude - I love your voice! Nice wah work! Great voice by the kids!
Nice! - I like how it turns into a prog rock piece almost about 1:40 ish
the problem here is that this IS the truth. and that is sad. Nice podcast!
love the deep percussion and sexy tune!
I can't play it :-0 OR delete it...
Nice - I was wondering where you've been!! - and at least your song plays :-)
Actually, if you wanted, I could try a treatment like Keeping the Peace in Space on one of your piano pieces, if you'd like.
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
cool!!
all of this sounds so real!
wow~~!!
I love this~!! excellent!! How did you get the advant guard sounds?