Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
Well, I switched the mic to high sensitivity instead of low. It actually sounds as it did when I played it. But looking at the waveform it resembles a sausage. I had to drop the volume 6 Db because it was *way* loud. Clipping tends to make…
Oh, they are so cute!
We have some living down the road and Danny brought the blonde female in to see me. Well, I want one now don't I!!
Oh, great track, by the way.
There is a Lady
She makes you pay
for all of the mistakes you've made
There is a Lady
Attention she craves
no prisoners she takes
Why do you need so much?
Why do you crave so much?
Why can't you forgive a man?
Clever this Lady…
Well, I switched the mic to high sensitivity instead of low. It actually sounds as it did when I played it. But looking at the waveform it resembles a sausage. I had to drop the volume 6 Db because it was *way* loud. Clipping tends to make…
Well, I switched the mic to high sensitivity instead of low. It actually sounds as it did when I played it. But looking at the waveform it resembles a sausage. I had to drop the volume 6 Db because it was *way* loud. Clipping tends to make…
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I do have video of Jacob playing the udderbot with the band - but right now I'm still putting together my gear from storage and this was the best I could do with Windows Live movie maker on my laptop.
So for now - enjoy the sound of Jacob jamming…
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are.
The music is wonderfully traditional sounding folk.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
The video is the real show here - an excerpt from Xenharmonic Praxis Concert #2
This is Ruckus from the Quiet Zone in 7-limit Just Intonation composed by Ralph Lewis inspired by a trip we made to the Green Bank Radio Telelscope. The quiet zone…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
Comments on vaisvil's stuff
beautiful .....your diction is wonderful
Gorgeous!
Sweet interaction between the voice and music - "delightful" indeed! Loving Bee in classical mode.
Nice one, Both! Sounds delightful indeed. Tess (Sister S)
Very interesting book and I found your composition perfect for it. Very clever stuff, Chris!
Oh, they are so cute! We have some living down the road and Danny brought the blonde female in to see me. Well, I want one now don't I!! Oh, great track, by the way.
Great song Chris! Ha, love the heavy metal bit. Great bass!
Nice one dig it.
you can't beat a bit of feedback to add some atmosphere..........
excellent........
Thus spake Kafka. Very cool!
Honoured to be the first listener to this monumental piece.
Well it went out with a bang. :)
Mournful, beautifully played.
Easy on the catnip, Puss!
O my it's leaving? Well you can make another. Great sound.
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are. The music is wonderfully traditional sounding folk.
Yeah, cheerio canon! Well, will you just look at that cat!
oooh!! sweet Irene she sure knows the blues.....
bad into.
Comments made by vaisvil
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!