Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
Choir and French Horn ensemble using a basic just intonation tuning.
! ji_12.scl
!
Basic JI with 7-limit tritone
12
!
16/15
9/8
6/5
5/4
4/3
7/5
3/2
8/5
5/3
9/5
15…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
Two tracks recorded with my bohlen-pierce travel guitar in cubasis on an ipad using Zoom UAC-2 interface and ammooon wireless set. Reverb is cubasis default.
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
So after hearing some of Stephen Krell's outstanding picking, I asked him if he'd like to play along with any of my songs... I can't be happier with the one he picked to add his banjo to (seeing as how the song is written about my favorite Pete…
Comments on vaisvil's stuff
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
a mesmerizing sonic swirl!
do you have a page on wikipaedia?
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe you
pretty and very mmmm Large sounds very big and open like tones.. here
nice synth sounds going on- ===
I like this too.
incredible most incredible === it is like this sometimes.. yes-
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
nice---
Powerful and good groove, out of the dark much light!
I like this
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
yeah the end tabla is sweet .. just perfect mix into this type of ending.. what is up with the light cone or time bending swirles ??
great beats and sounds.. great guitars going on- great -
That was a mystic ride
Quite a sonic journey!
I thought I commented on this yesterday? Apologies, I listened and thought WOW! ... I can confirm it has the same effect on me today.
Comments made by vaisvil
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!
enjoyed!!