This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17".
Quite an impressive collection of "17 equal tones per octave" songs (20!).
If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore.
It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that.
The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point.
Strong work, Chris. I philia it.
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
Just another obscure saint. Not much known about him. Probably much more important and significant than any of us will ever realize.
Oh, yeah, and then there is Saint Simon. Same thing for him.
RIP Alex.
3 Congas, Vintage Bass Cocktail…
From December 2017, my take on an old classic, with a little twist of a bonus number near the end. It may be the first tune I did in 6/8 time, at least that anyone has heard from me. This (sort of) should have a rolling highlands sound to it…
From December 2017, my take on an old classic, with a little twist of a bonus number near the end. It may be the first tune I did in 6/8 time, at least that anyone has heard from me. This (sort of) should have a rolling highlands sound to it…
Another recent song somehow not posted to AT (?) cleaning house this weekend.
Had the privilege of playing around with a cello in the house.
Dont know how to play the damn thing but too fun not adding it in the mix
Working through a barrage of songs over two different computers. thought I posted this already but its not on AT. (?)
A little re-tooling on this one today as well.
Enjoy- Reef
First one for a long time thanks for listening .... thought i'd try playing everything...still got to work on that bass and drums
\DARLING.DARLING,DARLING
G D G D G D C G D
EM7 A A7
EM7 A A7
EM7 A A7
C G AM A6 AM D
Oh darling darling…
CHOICES
"After my house burn down I was confuse.
Why are they burning down my house? My neighbor house..."
"We called it The American War."
My friend, John, said this about this bit of audio drama:
I had forgotten how painful I find…
The pages of the book were leaking into the dream
Wading through waters of time, an unconscious stream
Eyes begin to flicker, getting heavier with sleep
Takes you by force into the deep
Cobras hood like an open sail
Eternity tries to…
Damn! Feels good to hit the Upload button again!
Completed RPM 17. this is the last track!!. the album is my first run through with logic pro ( dumping pro tools and the monthly subscription fee)
I feel great playing again.. been so long…
I wrote this song about 2 years ago and shared it here on Alonetone back then. I decided to do a studio recording of it recently. With the help of the team at F5 Soundhouse here in Minneapolis we've created this updated version. I hope you enjoy…
Here's the second song I recently decided to do with a studio recording from one I wrote and posted here a while ago as a purely vocal version. It's one of my favorites.... I hope you'll enjoy it too
Singing In The Silence
Verse 1:
Singing…
I decided to keep working on this one a bit on the "keep messing with it" program.... added some backing vocals and some piano.... kind of like where its heading after the one take wonder before... Any other suggestions are very welcome…
"Many years passed here while we were away. But if i smell dry tree near my home, i can feel winds of every day."
I rearranged my old nostalgia-soaked piece for two guitars, hope you might like it.
Special thanks to user felix.blume from…
Comments on vaisvil's stuff
I find this quite soothing but can't help feeling there's more underneath
I just love this site, theres something for everyone. Played with your usual skill
Oh my word. Completely creepy and affecting! And this track has a spookily wrong timer... (1.54, not 1.23.)
The timer on this 'ere track is lying. It's only 13 seconds out...but that's kind of eerie, no? I mean, what with it being 13 and all. Just saying.
Timeless and bright.
wow i found this song to be incredibly eerie lol
very stately ......medieval
I shall have to get this on my phone as an alarm ...........
Goes perfect with the image.
make sure that cellar doors locked we don't want it getting out .....excellent atmosphere.....
Remind me never to go in to your cellar. Very atmospheric - cine score me thinks?
Like the use of the brass vpices - and that bassline is nothing short of superheroesque!
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17". Quite an impressive collection of "17 equal tones per octave" songs (20!). If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore. It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that. The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point. Strong work, Chris. I philia it.
tv.errific......
wow, that about says it all,,,, well done
Great beat mate dig it. Thanks for listening and commenting. Cheers.
wow.... just wow... and im only a minute in!
I don't fully understand the technical side but it makes for an interesting listen.
Divine Madness
One of my favorites man. Cool choice for a cover tune.
Comments made by vaisvil
Merry Christmas to you and yours as well!
oh I mean this https://www.youtube.com/watch?v=AZQxH_8raCI
It has shades of Paul Revere and the Raider's Spirit in the Sky mixed in what has to be the most rocking version I've heard!
very beautiful vocal, production. Very sweet sound!
Nice work!
beautiful!
this is really good!
man you sound like Gilmore on this! Voice and guitar!
Ha!
nice that you are doing it all - you've grown alot in musicianship over the years!
this is so touching...
There is something very vital here. I really like it.
Zeppelin III had a lot of special songs and this was one of them - excellent choice and execution!
Great!
This is wonderful!
Love - indeed too long!
This as well is wonderful too!
This is certainly one of the best I've heard by an internet artist, period. Superb writing and performance.
Lovely song and performance!
Beautiful piece!