A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
This will sound out of tune and very odd to most people... and certainly its not a "quality instrument". But it IS lo-fi :-)
I changed my $30 electric guitar from Just Intonation fretting to 14 equal notes per octave using cable ties, loaded…
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
ok this is the center portion of the the tape transfer and remix so if you like the intro and end so on this just gets more intense that it is centered and focused some.
to create your own new work play the video and music together .. each time…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
This was a collab i heard today on Songcrafters and was wondering wether to ask to have a go at it vocally when Tharek sent me message asking me to have a go so Thanks Tharek and Dave, i am more than pleased to give it a go. i loved this music…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
I Ate My Xanadu
ADDENDUM TO THE INCIDENT REPORT
It’s burning.
Nothing else matters.
Nothing.
It’s burning and I love it.
It’s so clear
what is illusion and what is real.
I love the clarity.
I could drink it.
I could eat it.
I could…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Reg has got a kinda Bluesy political thing going on this one.....he's been reading the paper and watching the news..........it's a little too long but i think he makes a point.......do you?
Two ambient guitar tracks recorded independently and stick together. I broke my rule of not using distortion on a BL piece, for the first time, believe it or no.
I'm not on top of it as usual, guys. But I did manage to let Greg Brady out of my basement and set him free. This is his testimonial regarding the incident. I hope he can forgive me.
Once upon a rainy day, we were out in the farm fields waiting on the sun to break through the gloom. We arrived in this dark world naked and were washed clean waiting for the sun. Little darling, here it comes...
This is the first demo [Sister Savage](http://alonetone.com/sistersavage) and I have made for our RPM 2011 album.
Although I've uploaded a copy here we'd be really grateful if you would listen to the [version uploaded by Sister](http://alonetone…
Comments on vaisvil's stuff
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Wow now thats cool great sound mate.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Peachy!
Jazzerremendous...........
I can listen to this all day! awesome!
Outstanding.
Love it
Killer sound and nice playing
some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.
cool composition man. you asked about "One Chord & Four Notes" - nope i don't think i ever used b major, only arpeggiated down Bsus2.
Nice one mate excellent.
Comments made by vaisvil
ompt manual http://forum.openmpt.org/index.php?topic=4387.0 and the software http://openmpt.org/download
OMPT = Open Mod Plug Tracker - a program that turns your computer into a sampler.
awesome!!! hell can't be so bad if its so funky ;-)
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
that genesis piece is beyond my skill to play - but it took a bit of work to get it to be nice with my software.
I am amazed at how you constantly pull new textures from your equipment. Very cool - parts sound like a futuristic police chase.
I see you've taken up body levitation as evidenced by your avatar picture. :-)
your new avatar is freaky!
very cool sound - I like this piece quite a bit!
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
funky indeed!!
cool reg!
yes I do. Nice piece!
this sounds fantastic!
I know you've seen this somewhere before - but it bares repeating. This is a really nice piece - excellent improvisation!!!
this is so *strange*
I expected Beatles - boy was I surprised!! This is a wonderful bright, bubbly pop song - almost Beach Boys - but really good and modern!
nicely done - I enjoyed listening and especially the climax at 3' as pointed out.
very nice!
like I need to be encouraged!