Version of "Auld Lang Syne" inspired by the arrangements from "Hard Times" by The Human League.
I originally recorded a version of this track for the 2016 RPM Holiday Challenge; but I revisited and re-recorded it on 12/15/2022 with new equipment…
"Hold Me Close" written, recorded, and mixed (very quickly) in three hours on September 13, 2022.
Cover art by Dan Upton.
and on this fateful day i'll be
forced apart away from you
my destination i can't see
and i don't know where…
"Hold Me Close" written, recorded, and mixed (very quickly) in three hours on September 13, 2022.
Cover art by Dan Upton.
and on this fateful day i'll be
forced apart away from you
my destination i can't see
and i don't know where…
Happy 43rd birthday to "Boys Don't Cry," released on June 15, 1979.
Here's a simple and dirty acoustic cover version, recorded somewhere between Fall 2012 and Spring 2013 (I think...). I wasn't feeling well at the time and my voice was shot…
“Unfinished-1” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Meant to have lyrics but had writer's block and ran out of time. Remains an unfinished instrumental.
“The Road” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. 95% of the lyrics are from an AI lyrics songwriting generator, I changed a few lines to fit the song. The entire…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“The Road” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. 95% of the lyrics are from an AI lyrics songwriting generator, I changed a few lines to fit the song. The entire…
“Unfinished-1” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Meant to have lyrics but had writer's block and ran out of time. Remains an unfinished instrumental.
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
Always interesting to hear how songs evolve. This stripped down demo version is great too... the forward vocals, acoustic guitar, and sparse drums create quite a different atmosphere.
Great, laid back sound. I like how the tambourine carries the song through, and that staccato violin sound. And yes, amazing guitar solo from Mr. Samford.
You came for the Earth. You stayed for the Wind. That gets you the Fire.
Tim - a voice
Andy - a guitar
Jarrett - A lotta voices, a lotta drums, and a fine, fine, FINE imitation of Michael McDonald.
I've been obsessed with this song since I watched a Rick Beato video that called out how the awesome guitar solo was criminally buried in the mix. Plus, it's yacht rock, and if there's one thing I love, it's yacht rock. So I set out to record…
You wouldn't know if from my uploads over the last few months, but I rarely record covers, mostly because you hear what's WRONG, not what's RIGHT. But I had a theme of Earth, Wind, & Fire for September, so I decided to take on a huge song…
THIS... IS... AMAZING! Has that definite Letter Seventeen style but faithful to the original, right down to the nuances. The synthetic handclaps, the disco guitar in the chorus, great drumming from Jarrett... well done!
September 2023 A-side
We sailed up to the shore some island we don't know
We dropped our anchor then we left the boat
I know we're risking all but this is worth the chance
Just think of all the wealth we'll take back home
We'll be fine…
The August 2023 30 Day Songs prompt came from a list of ChatGPT country song names a friend posted to Facebook. I started off trying to make fun of the genre and instead wrote a song I think I sorta like. Rumor is there's a second mix floating…
The B-side for my July 30DaySongs submission is a cover of a tune I've loved since it came out way back in 1982. Wilsun has been having a rough go if it lately and I recorded this to hopefully cheer him up for a bit.
Marz and I love Crowded House. We were feeling ambitious and took on one of our favorites for the June 30 Day Songs submission.
Tim - guitars, voices, other noises
Marz - vocals and lead guitar
Jarrett Osborn - drums
Tim played and sang everything
Another cover for the May 30 Day Songs project (https://30daysongs.com).
This has always been one of my favorite songs and I saw that Ben Kweller's album
"Sha Sha" is turning 20 this year. I needed a b…
Tim - guitars, voices, and other noises
Marz - vocals and lead guitar
Megan Kleven - backing vocals
Marz and I have know one another for over ten years now, but we've never actually recorded anything where we sang together until now. We…
Sounds awesome! Clean, forward, and intimate. Love the acoustic arrangement and all the little touches (tambourine, shaker, fingersnaps). Love the layered vocals too from the three singers.
Groovy! Fun, bouncy bassline... not knowing who Suzy Bannion is, she seems to be running from something (witches?). I'll look it up after leaving this comment.
Comments on wilsun's stuff
Definitely has that Human League vibe. Back to the mid 80s!
Your voice is awesome! Love the visual story of this song.
Such a lovely and sad tune. Well done
Good Lord… this is spectacular. Wilsun is a modern combination of The Cure and The Smiths and no one knows it.
Interesting to see where it started and where it ended up!
43 is not an anniversary but sounds good.
This brings me back to R.E.M.'s "Losing My Religion." The strings building through the track is a very nice touch.
Me likey the overlapping verses.
Not too shabby
this is better than all the other things you did this month.
i love you wilson, but you're trying too hard to make people not like you
I fail to understand why you consider this unworthy of inclusion on an album. This is Wilsun at the peak of his powers.
I'm glad I'm not alone on liking this one :)
Church of England demands to know why this is not considered album material!
Oh this is wonderful! Just a flipping great song!
What the Hell Wilsun... Your outtakes sound better than my actual album. You need to stop being so hard on yourself, this song is excellent!
This song is great! Very fun!
Digging this.
It's a gorgeous sound.
Hey it's cool!! :)
Comments made by wilsun
Always interesting to hear how songs evolve. This stripped down demo version is great too... the forward vocals, acoustic guitar, and sparse drums create quite a different atmosphere.
Great, laid back sound. I like how the tambourine carries the song through, and that staccato violin sound. And yes, amazing guitar solo from Mr. Samford.
I love outtakes.
This is a vibe... definitely has that 70's Yacht-Rock sound! Great bg vocals and guitar solo.
THIS... IS... AMAZING! Has that definite Letter Seventeen style but faithful to the original, right down to the nuances. The synthetic handclaps, the disco guitar in the chorus, great drumming from Jarrett... well done!
Excellent! It's menacing and calming at the same time.
Darn catchy, fun listen!
This friggin' rocks! Love the thick, sludgy, dirty sound. Great mix too. Epic song (both parts)!
back and catchy, love the middle section with the multi vocals and drums coming in.
It's like a loungey version of a Synth-pop classic! Well done, and a very fun listen. Thanks for bring a smile on my face for a bit.
Great cover. Great vocal harmonies. Love the superclean mix. Catchy as heck, really fun listen.
Achingly beautiful, heartfelt delivery, awesome.
Gorgeous soundscape, expansive, calming.
Like "Hey Julie," sounds great with the straightforward, laid back, acoustic arrangements.
Sounds awesome! Clean, forward, and intimate. Love the acoustic arrangement and all the little touches (tambourine, shaker, fingersnaps). Love the layered vocals too from the three singers.
Nice companion to the A-Side (is it using the same chord progression?). Sounds tragic, even a little sinister.
Groovy! Fun, bouncy bassline... not knowing who Suzy Bannion is, she seems to be running from something (witches?). I'll look it up after leaving this comment.
Introspective but almost pop in its bounciness and hummable vocals.
Utterly epic... just listen and drift away.
This sounds like a pop song with its playful melody hiding behind the ambient vibe. Very enjoyable.