Recorded and mixed (very quickly and sloppily) on the evening of 4/28/2023 for the “30 Day Songs” project. Everything was recorded on one take. The guitar is out of time at some places, vocals are pitchy and terrible. I wanted so much for this…
Recorded and mixed (very quickly and sloppily) on the evening of 4/28/2023 for the “30 Day Songs” project. Everything was recorded on one take. The guitar is out of time at some places, vocals are pitchy and terrible. I wanted so much for this…
No apologies—that was awesome. Nailed the middle 8. Got the St. Denis lyric (I always wondered whether it was intelligible or not). The slower tempo evokes the heartache better than the original, and sweet baby Jesus was that falsetto great. The one take approach makes it immediate, like a text message, which is kinda what the song was built off. I’m touched. Thanks for a much-needed cheer-up.
"Always (Again Remix)" recorded in February 2023 for the RPM Challenge.
New recording of an old song with different arrangements. Originally started as a joke in response to Tim (of Letter Seventeen) asking AI to write a song (not) about airplanes…
"Always (Again Remix)" recorded in February 2023 for the RPM Challenge.
New recording of an old song with different arrangements. Originally started as a joke in response to Tim (of Letter Seventeen) asking AI to write a song (not) about airplanes…
Quick and dirty cover version of the (in)famous (and questionably inappropriate) 1984 charity single, "Do They Know It's Christmas?" Recorded for the 2018 Holiday Challenge (I think).
"Do They Know It's Christmas" written by Geldolf/Ure.
Quick and dirty cover version of the (in)famous (and questionably inappropriate) 1984 charity single, "Do They Know It's Christmas?" Recorded for the 2018 Holiday Challenge (I think).
"Do They Know It's Christmas" written by Geldolf/Ure.
Quick and dirty cover version of the (in)famous (and questionably inappropriate) 1984 charity single, "Do They Know It's Christmas?" Recorded for the 2018 Holiday Challenge (I think).
"Do They Know It's Christmas" written by Geldolf/Ure.
Version of "Auld Lang Syne" inspired by the arrangements from "Hard Times" by The Human League.
I originally recorded a version of this track for the 2016 RPM Holiday Challenge; but I revisited and re-recorded it on 12/15/2022 with new equipment…
"Hold Me Close" written, recorded, and mixed (very quickly) in three hours on September 13, 2022.
Cover art by Dan Upton.
and on this fateful day i'll be
forced apart away from you
my destination i can't see
and i don't know where…
"Hold Me Close" written, recorded, and mixed (very quickly) in three hours on September 13, 2022.
Cover art by Dan Upton.
and on this fateful day i'll be
forced apart away from you
my destination i can't see
and i don't know where…
Happy 43rd birthday to "Boys Don't Cry," released on June 15, 1979.
Here's a simple and dirty acoustic cover version, recorded somewhere between Fall 2012 and Spring 2013 (I think...). I wasn't feeling well at the time and my voice was shot…
“Unfinished-1” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Meant to have lyrics but had writer's block and ran out of time. Remains an unfinished instrumental.
“The Road” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. 95% of the lyrics are from an AI lyrics songwriting generator, I changed a few lines to fit the song. The entire…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
“Shine” by Wilson Ng, written and recorded in February 2022 for the RPM Challenge.
Outtake from the 2022 RPM Challenge Sessions. Just one of those songs that doesn't seem to work. Wanted to recut the vocals because they were basically scratch…
Look, it's not a Letter Seventeen record if I don't end it with something like this. Plus, I spent way too much time playing with orchestral libraries all summer to not use them somewhere.
It started off so nice
A time for you and me
Taking…
I developed a strong obsession with the building blocks of pop songs and tried to craft one. Unfortunately, I wrote it in a key that was high enough that the combination of the rapid-fire words and the pitch nearly made me pass out while singing…
Another song idea from a meme. Or, more accurately, a movement.
The term “Birds Aren’t Real” refers to biological “Birds” no longer existing on United States soil. After the government forcibly made the entire species extinct in the 20th century…
A tale of two songs and a unicorn. The funky instrumental meets the jazzy bits and then Megan joins in on the singy bits.
I've spent years searching for the proper female singer for my songs. I've referred to it as my quest for a unicorn…
For the first time in 13 years Grant sent me some lyrics. I added a verse and then spent the month of February waiting for the song to give me a direction. It did on about the 24th. Originally this was sunny and upbeat.
Keep it quiet kids…
Grant and I became obsessed with maj7 chords and that led to a lot of jazzy sounds. The title came before there were words and it seems about right.
Megan really made this one shine.
Backing vocals by Megan Kleven https://megankleven.bandcamp…
This started out as a joke from a meme and then, well.....
Wilsun did his best imitation of Bruce Dickenson in the bridge
Dan Upton played the heavy guitars in the bridge and the solo you like
Time to self-assess
You still want to be so…
Based on the show "The Great" on Hulu. Yeah, I know. You've never heard of it...
Lead guitar by Anton Samford
Backing Vox by Megan Kleven https://megankleven.bandcamp.com
You got the moves, you carry the cachet
Always used to having…
**Song-writing Demo for FAWM 2022**
Song number 8
Written Monday 14th February 2022
****
It's not entirely true. But it's CLOSE ENOUGH!
It was actually the 16th of February.
But we were corresponding by email on the 14th.
Then we…
**Song-writing Demo for FAWM 2022**
Song number 6
Written Friday 11th February 2022
****
I was meant to be resting and chilling.
In fact, I was resting and chilling.
But then I got a message from Lala saying she was listening to the…
**Song-writing Demo for FAWM 2022**
Song number 5
Written Thursday 10th February 2022
****
What can I say? Mrs R likes it.
I knew she would.
Scheduling-wise, songs per day, I've now caught up with having missed the first 5 days of…
**Song-writing Demo for FAWM 2022**
Song number 2
Written Monday 7th February 2022
****
I wrote this one a couple of hours ago.
I set up for recording, and busted a string on the Martin... GAH!!!
I tried a big ole dreadnought thing…
**Song-writing Demo for FAWM 2022**
Song number 1
Written Sunday 6th February 2022
****
OK, this is a bit of a departure for me - posting songwriting demos.
This is a one mic recording made this morning in the living room, touch of reverbs…
Sounds great! Impassioned vocals and sweet sounding acoustic guitar. There's just something about simple and sparse arrangements. I can see where you're coming from in regards to RPM, there is a significant difference between writing and production. I think I enjoy the production side of things more, and once I finish with an RPM, I rarely go back and touch it. I'm an inept writer, so the thought of writing 14 songs in a month would give me anxiety!
In the final few minutes
That I'll be around
Will you waltz with me in it
Would you turn me down
Would you turn me down
As the time's running out
And I make my advance
Would there be any doubt
If I take the chance
Can I have one…
Quite a challenging album, an emotional rollercoaster; everything from an air of pessimism, to poignancy, to heartfelt. As usual, you have a great way of painting pictures and telling stories through your lyrics. I know you mentioned that you would be proud if this was to be you last album (I'm paraphrasing), and I would agree because it's a great album. However, at times the album is quite dark, which is a bit of a departure from the optimism I'm used to hearing. Hope you continue with your music.
Comments on wilsun's stuff
Wow. this is really quite good, Wilsun. You don't give yourself enough credit.
No apologies—that was awesome. Nailed the middle 8. Got the St. Denis lyric (I always wondered whether it was intelligible or not). The slower tempo evokes the heartache better than the original, and sweet baby Jesus was that falsetto great. The one take approach makes it immediate, like a text message, which is kinda what the song was built off. I’m touched. Thanks for a much-needed cheer-up.
Nailed the New Order vibe
Problematically addicting. VERRRRRRY nice.
@Eternal, I don't often check Alonetone so sorry about missing your message, but feel free to add to it! I don't think it was played in time though...
one mo' time......
Man, I wanna add to it. Good job.
Definitely has that Human League vibe. Back to the mid 80s!
Your voice is awesome! Love the visual story of this song.
Such a lovely and sad tune. Well done
Good Lord… this is spectacular. Wilsun is a modern combination of The Cure and The Smiths and no one knows it.
Interesting to see where it started and where it ended up!
43 is not an anniversary but sounds good.
This brings me back to R.E.M.'s "Losing My Religion." The strings building through the track is a very nice touch.
Me likey the overlapping verses.
Not too shabby
this is better than all the other things you did this month.
i love you wilson, but you're trying too hard to make people not like you
I fail to understand why you consider this unworthy of inclusion on an album. This is Wilsun at the peak of his powers.
I'm glad I'm not alone on liking this one :)
Comments made by wilsun
Lovely closer, great orchestral, chamber like vibe.
Great vocals! Catchy hooks.
Great surf vibe, fun little song.
Love the groovy vibe. Also my fave on the album so far.
I feel seen... LOL. Really like the keyboard textures.
Clever and witty, lovely backing vocals, and all those maj7 chords! And I appreciate the DD reference.
This rocks.
Uber catchy, awesome guitar. Sounds like a song straight out of an old AM car radio.
Epic closer, utterly breathtaking in its melancholic, ethereal beauty.
The most accessible song in the set, but no less impressive. Gorgeous soundscapes, irresistible hooks and melodies.
Oh my, this is such an arresting piece; moody and dynamic.
The feels... love the chill, atmospheric vibe.
Haunting, atmospheric, and gorgeous.
Epic, cohesive, and gripping. Just brilliant!
Agreed with the other comment, very Elbow-esque, the melody and even the vocal has a Guy Garvey style to it. Excellent!
Toe tapper, this one. Nice chord changes.
Touching.
Great vocals! Raw and honest. I love nuances that cannot be replicated, it lends to a one-of-a-kind recording.
Sounds great! Impassioned vocals and sweet sounding acoustic guitar. There's just something about simple and sparse arrangements. I can see where you're coming from in regards to RPM, there is a significant difference between writing and production. I think I enjoy the production side of things more, and once I finish with an RPM, I rarely go back and touch it. I'm an inept writer, so the thought of writing 14 songs in a month would give me anxiety!
Quite a challenging album, an emotional rollercoaster; everything from an air of pessimism, to poignancy, to heartfelt. As usual, you have a great way of painting pictures and telling stories through your lyrics. I know you mentioned that you would be proud if this was to be you last album (I'm paraphrasing), and I would agree because it's a great album. However, at times the album is quite dark, which is a bit of a departure from the optimism I'm used to hearing. Hope you continue with your music.