Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well.
I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
Looking at nowhere by Pasha is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.Based on a work at alonetone.com.
Admittedly rushed out for the holidays, here's a 5 song EP of techno christmasness. By next year, it'll be a full record with lots more sleigh bells and sirens.
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now.
I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly.
You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
When I stepped into that night I felt at home for the very first time in a long, long time. When I stepped into that street I felt complete for the very first time in a long, long time. I didn't wonder where you'd been all day. Or maybe I did…
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
Emperor of Evil Dissonance is from the machinima movie produced and directed by SS Productions for the Sims International Film Festival. The movie is due for release on 15 September 2010 at www.youtube.com/user/SSMusicProd...
As the songs were…
Year: 2010
Album:
bent classics
Artist's description:
I don't know.
Contributors:
an old exercise from piano class
jo guest
the amateurs of alt.binaries.sound.erotica
freesound.org
kontak4
absynth
an evil kitty who made me do it.
a terrier…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Comments on AMUC's stuff
nice work on your 24hr. sounds like it was fun to make.
This is great. Supremely atmospheric.
Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well. I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
right on! love the monstrosity! good work!
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
I want quantum knees. That sounds cool.
This totally kicks posterior. =)
This really appeals to my Irish half. There's something about Irish folk music that brings a smile to one's face.
For a 'not professional' singer, you sound great, IMHO. The whole song flows well - you can tell a lot of effort was put into the sound production.
Listening to this, I feel the need to hang up the disco ball while playing ample amounts of 8 bit Nintendo. =)
I like the trippily-demented jazz section around 4:45.. That caught my attention.
Thanks for the feedback on this one - I'm rewriting it, though. I thought it came out sort of rough around the edges.
I envision this is probably what heaven sounds like, assuming the place exists. Fantastic harmonies..
I like the percussion on this one -- it sounds very real. (I'm a dumb sucker for conga drums.)
I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now. I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly. You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
The interplay of the different voices creates a nice texture. It reminds me of Ayreon - how he uses different vocalists to establish different moods.
Wow. This totally mucks with your brain - I feel like I'm drowning in it by wearing headphones.
Quirkily harmonic. This one sounds like it deserves a music video (and a really strange one at that.)
Well done. The vocals/lyrics are haunting. I like how it goes from symphonic to crunchy at about the two minutes mark.
This is catchy - it has a trip-hoppy Beach Boys sort of feel.
I remixed this RPM track - sounds a lot better now..
I love the wordplay here. "A part" vs "Apart"..