.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Looking at nowhere by Pasha is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.Based on a work at alonetone.com.
Admittedly rushed out for the holidays, here's a 5 song EP of techno christmasness. By next year, it'll be a full record with lots more sleigh bells and sirens.
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now.
I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly.
You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
When I stepped into that night I felt at home for the very first time in a long, long time. When I stepped into that street I felt complete for the very first time in a long, long time. I didn't wonder where you'd been all day. Or maybe I did…
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
Emperor of Evil Dissonance is from the machinima movie produced and directed by SS Productions for the Sims International Film Festival. The movie is due for release on 15 September 2010 at www.youtube.com/user/SSMusicProd...
As the songs were…
Year: 2010
Album:
bent classics
Artist's description:
I don't know.
Contributors:
an old exercise from piano class
jo guest
the amateurs of alt.binaries.sound.erotica
freesound.org
kontak4
absynth
an evil kitty who made me do it.
a terrier…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
I like the melodic twists and turns this takes. Strange theme - very sci-fi..
I would love to hear the vocals get more attention - they seem to be competing with the instrumentation for the limelight.
As the song says, this is a song I wrote for the RPM Challenge. I simply took my actual experience beginning at 12 midnight on February 1st, and a couple or three hours later I had my first song. The player takes away the intensity of this track…
2010 Vocal Jazz Festival - Mansfield University of Pennsylvania
The Mansfieldians, a 12 voice vocal jazz ensemble, held a concert on April 15, 2010 closing the day's festivities. Directed by Dr. Sheryl Monkelien, the group features some of…
Comments on AMUC's stuff
This reminds me of Hawkwind in places dig it very cool.
Like it, clean and clear sounding, refreshing with retro touches, nice one! :)
good mix
pretty damn good! i like the way it whirls with some cool sounds and the rhythm is tight.
Very cool
I love the atmosphere you create with your work. This one particularly. Great work!
Nicely done great mix.
Oh yea!! Danceable dynamite. Nice, clean production.
:)
Very clever! Love the vocal and synthy goodness, as always.
heavy breathing- captivating.
something very soothing about your songs....the bass guitar, very cool!
interesting piece, panning and the click voice was cool.
LOVE, LOVE, LOVE the synth sounds here. Well done.
You got any good theories on what "Lost" was supposed to really be about. You seem to have some kinda deep insight here with your music. I like it.
Mind=blown at this concept of yours. Brilliant I say.
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
Comments made by AMUC
For a 'not professional' singer, you sound great, IMHO. The whole song flows well - you can tell a lot of effort was put into the sound production.
Listening to this, I feel the need to hang up the disco ball while playing ample amounts of 8 bit Nintendo. =)
I like the trippily-demented jazz section around 4:45.. That caught my attention.
Thanks for the feedback on this one - I'm rewriting it, though. I thought it came out sort of rough around the edges.
I envision this is probably what heaven sounds like, assuming the place exists. Fantastic harmonies..
I like the percussion on this one -- it sounds very real. (I'm a dumb sucker for conga drums.)
I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now. I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly. You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
The interplay of the different voices creates a nice texture. It reminds me of Ayreon - how he uses different vocalists to establish different moods.
Wow. This totally mucks with your brain - I feel like I'm drowning in it by wearing headphones.
Quirkily harmonic. This one sounds like it deserves a music video (and a really strange one at that.)
Well done. The vocals/lyrics are haunting. I like how it goes from symphonic to crunchy at about the two minutes mark.
This is catchy - it has a trip-hoppy Beach Boys sort of feel.
I remixed this RPM track - sounds a lot better now..
I love the wordplay here. "A part" vs "Apart"..
I like the melodic twists and turns this takes. Strange theme - very sci-fi.. I would love to hear the vocals get more attention - they seem to be competing with the instrumentation for the limelight.
**Dancing about like an idiot** I like this. =)
Awesome! This brought a smile to my face. I love hearing different genre's try their hand at FOTB.