.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
I confess I wasn't expecting this -- when you see an album cover, you have a preconceived idea how the music will sound based on it.
This totally surprised me -- I love the strings here and the wind instrument being used.
Welcome to the Beauty and Truth Lab. Describe what you want more than anything else.
The song is part of the soundtrack from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which…
I like this one - of all the ones I've heard so far, it really grabs your attention. All the different elements (acoustic guitar and the unusual drums) mesh together well.
The chorus is adapted from "O Death Rock Me Asleep", by Anne Boleyn, while imprisoned in the Tower of London, waiting for her execution.
(Tolar & Savigear 2010)
I'm hearing a mixture of vocal influences - Tracy Bonham, Letters To Cleo, maybe even a little Splashdown.
Overall, this flows nicely - the only thing you may want to do is pull back a little on the open hi-hat in the background.
This is the centrepiece of the album; my self-confessed preferred track to RPM HQ. Powerful vocals by Jen Gibbons and heavy beats supplied by Chris Thomas. The drum track was heavily overdriven to crispen it up and the kick was given a lot of…
I like that harpsichord-esque synth, and the various twists and turns the vocal melody takes.
This album as a whole flows very nicely -- it holds your interest. I haven't gotten bored for a second.
I've gone more acoustic for this piece with bass and guitars courtesy of Jaz Arwand and the lovely, airy sound of Jess Spencer's voice. The song is about empathy or lack thereof.
Interesting -- this is good sleeping ambience, if you want to have really screwy dreams. For some reason, this has me thinking of number stations.
[listening carefully for EVP's]
This album has been all over the place so far -- I like the genre channel-surfing approach you take here.
Is this named after the neuroscientist, by chance? I googled the name on the whim, and that's the only thing that came up.
Part 1 - Hotel & Backstory.
Hotel.
In which Johnny tries to betray Angela, whose suspicions are raised when Jenny calls.
Backstory.
In which we learn about Julia's involvement in the affair.
Lyric -
So Jennifer sits…
This album is very captivating. You definitely wear your influences on your sleeve, but it's a certainly a good shirt.
This is playing like a concept album - is there a theme to all of this? I'm detecting links between the various tracks.
Okay - I'm glad that I'm organizing my comic book collection, and have myself trapped in a corner of my apartment to the point where I can't get to my computer to shut off the Alonetone feed, because I'm hearing some really awesome stuff tonight over multiple genres, including this one with a mellow electronic vibe.
Comments on AMUC's stuff
This reminds me of Hawkwind in places dig it very cool.
Like it, clean and clear sounding, refreshing with retro touches, nice one! :)
good mix
pretty damn good! i like the way it whirls with some cool sounds and the rhythm is tight.
Very cool
I love the atmosphere you create with your work. This one particularly. Great work!
Nicely done great mix.
Oh yea!! Danceable dynamite. Nice, clean production.
:)
Very clever! Love the vocal and synthy goodness, as always.
heavy breathing- captivating.
something very soothing about your songs....the bass guitar, very cool!
interesting piece, panning and the click voice was cool.
LOVE, LOVE, LOVE the synth sounds here. Well done.
You got any good theories on what "Lost" was supposed to really be about. You seem to have some kinda deep insight here with your music. I like it.
Mind=blown at this concept of yours. Brilliant I say.
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
Comments made by AMUC
I confess I wasn't expecting this -- when you see an album cover, you have a preconceived idea how the music will sound based on it. This totally surprised me -- I love the strings here and the wind instrument being used.
(ROFL) This is great. When the sacred janitor at the edge of time speaks, you better pay attention. =)
I like this one - of all the ones I've heard so far, it really grabs your attention. All the different elements (acoustic guitar and the unusual drums) mesh together well.
Nice. I like how it starts rocking out at about the two minute mark and then again at 2:50. (Sweet guitar solo..)
This one has a nice flow to it. The flute adds another dimension to the sound, with the bass adding depth.
Very relaxing. This has a Peter Vriends sort of feel to it.
Wow. This one has a nice chemistry to it - the whole thing meshes well. I particularly like the vocal buildup around the 4:45 mark until the end.
Oops - if my last comment wasn't expressive enough, I really liked that track.
[dancing about apartment like a complete dork]
I'm hearing a mixture of vocal influences - Tracy Bonham, Letters To Cleo, maybe even a little Splashdown. Overall, this flows nicely - the only thing you may want to do is pull back a little on the open hi-hat in the background.
I like that harpsichord-esque synth, and the various twists and turns the vocal melody takes. This album as a whole flows very nicely -- it holds your interest. I haven't gotten bored for a second.
The vocals here are impressive. They play off the bass and drums well..
I really like this - you create a nice atmosphere here. The bass synth anchors the whole thing down as the higher synths weave a tapestry.
Okay - I like this one. It's catchy. The lyrics are well thought out, and the guitar accompaniment fits it like a glove.
Interesting -- this is good sleeping ambience, if you want to have really screwy dreams. For some reason, this has me thinking of number stations. [listening carefully for EVP's]
This album has been all over the place so far -- I like the genre channel-surfing approach you take here. Is this named after the neuroscientist, by chance? I googled the name on the whim, and that's the only thing that came up.
This album is very captivating. You definitely wear your influences on your sleeve, but it's a certainly a good shirt. This is playing like a concept album - is there a theme to all of this? I'm detecting links between the various tracks.
This is really catchy -- I like the groovy bass line and guitar-playing.
That's nice.. It almost makes me want to rush out and get Reaktor. Any chance of a VST version of it someday?
Okay - I'm glad that I'm organizing my comic book collection, and have myself trapped in a corner of my apartment to the point where I can't get to my computer to shut off the Alonetone feed, because I'm hearing some really awesome stuff tonight over multiple genres, including this one with a mellow electronic vibe.