Ah yesss! This is fantastic :)

My credo belongs to this and many of your songs. The only old songs are the ones that have been on the top of charts. Everything else is brand new, mostly unheard and on it's way to the charts. You have great music. I hit the strip like the super ego driven organ grinder monkey I am. Nothing can truly put words to the experiences of 76 to 96 and so on

So damn good...So it's gigging at the Quay..Truthfully how many took the dive in and yelled back, come on in, it's warm as fuck!

1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.

Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....

Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..

That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.

Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro

Absolutely top-drawer in terms of composition, performance and sonically 👏

Different and beautiful. I like the build and drop, high/low contrast in the song.

Just had my daily listen to this song ...love everything about it 😎

Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC

Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though

morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet

Love the guitar on this :) They've certainly stood the test of time! x

Love that unexpected chord change in the middle eight - Great work!

I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.

This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.

Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.

This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.

Yep, lovely stuff, this works as it is for me

Another goodie... Thoroughly enjoyable listen to all of your tracks on here so far... I'm amazed at all the different styles you take on and succeed at.

This one started while I was commenting All I Do Is Cry ... and it didn't grab me initially. But when I started concentrating... crumbs, this excellent. Really interesting melody and chords, and boy does he navigate his way around it well. I had to click favourite by the time it finished! Brilliant.

Ah... I heard this the other day, didn't I? I've got two more of yours to go at the moment, but this is my personal FAVOURITE so far. I assume it's Tricia Dovidio on the vocal again? I think I loves her voice and delivery... :-)

Like the song, love the song, but you're right, I think there's a better a mix in there - it's almost like the lead vocal dominates the track too much... try thinning him out a bit mebbe? Seems a shame to do it though, he's got such a good rich voice :-)

Oh yeah, this is a special one. He's an excellent lead vocalist, absolutely superb. The song stays sung when he's sung it! Not so convinced that he ought to do his own bvox based on this one though? I felt his lead wanted a different texture to go with it. Having said that though - wow! The song, the performances, the recording... Superb :-)

Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!! I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.

I'm getting a much better idea of "stoman" listening to tracks one after the other on here. You have no fear of genres/whatever - write the song, get the right dudes on... job done :-) Another classy one.

Works for me. Great track and the vocal just sits there like it should.

I like it. I see what you mean about the vocal take... but I think it adds to it's effect.

He did a fine job (vocal). I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.

Well, this one pushes my buttons... "When the red dawn sings it's sad song and warns us what's to come..." - brilliant. Lovely voice and a compelling performance.

Wow... First time I've heard this one. Excellent song... and SUPERB vocal

Didn't realise you were on here! I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)

Beautiful. I've got some goodbyes it would have fitted. Many thanks.

Liked this a lot.

Great finish to an excellent album. Loved the whole thing, nice work guys. When you coming to London? :-)

Digging this album BIGTIME so far. This track has really made me sit up and pay attention. Actually, stand up and boogie is more accurate :-)

I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...

Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.