Nice guitar playing! You got the touch Andrew!

Great work! I can hear the Tull influence but also reminiscent of Gordon Lightfoot... If you remember him?!

Wow... your vocals on this are just perfect. I hear that Jethro Tull influence there. Really pretty guitar playing.

Great stuff the lyrics moved me and I take pride In being a stoic The picking style is driving in an old timey way This is really fine good work , Andrew

I as a stage hand for 25 years and this song is like something from a traveling broadway musical. I worked Fantom, Beaty and The Beast, Jeckle and Hyde, Spam-a-Lot. Many many. This song is perfect as the whole cast comes back on stage to form a choir as they exit fading.

This song just reeks with sadness. Completely different voice from Edith. The starkness really works in the one.

Andrew, Thank you for keeping up with me lately. I just spent three hours coming up with that one minute. It took me that long to think of something to say. Thanks for commenting. 82 degrees in Cowtown and time to take the puppies for a walk. Thanks again for listening and commenting.

Another keeper. I love the guitar playing. It’s one positive thing that has come out of this mess that everyone is in. Some great music is surfacing.

Deep thoughts about being responsible. Great fguitar finger picking.

Thanks so much for the background notes. You are so right.... now I love it even more. And it sounds like you are an amazing friend as well... but no surprise there!!!! Hugs to you !!

This is a great composition and the production top notch! Excellent work!

Wow..... just wow. Between the shoebox and the broom closet there is a magic Songwriting genius machine. This one choked me up. So so sad and so well done.

I dig it!

You is the most important word in songs. I learned that from a poet named Shannon Elizabeth on Facebook. Thank you for telling me more. Once we've captured a story in a song some of the confusion from the time is illuminated. We don't ave to cling to is, so as not to lose the memories.

What a fine vocal. The intensity! And that very folky guitar snags me deep. So many stabs at the heart in your lyric. Trying to figure out who You" is.

It was definitely worth perservering with - love the melancholic vibe

Great songwriting here. Reminds me of Verve Pipe, very good.

Good one mate, I know where you're coming from, glad I'm not alone on the swearing and Take 550 ...... ' get it right you useless ******* ' or words to that effect I always use ....

Well you’ve proved to yourself your not “crap” reminds me of something my father would say to me time and time again “ don’t touch that you’ll break it “ and I normally did. Pleased you saved this one from the shoe box an excellent lyric love it pie pod bound along with all your others 😁

You're currently writing amazing songs that make my heart hurt a bit. If that didn't happen, I'd like them even more. That's the trouble with fantastic songwriters.

Also... "Grrrreat" :)

Nice. (one needs to be a fan of the Fast Show - an old TV program in the UK - to fully appreciate the delivery of that word).

Oh yeah. This is my favourite one so far. OR... it's the one that fitted my mood best at the time I decide to listen to it? :)

GORGEOUS guitar sound. And cool song. VERY cool song.I found the problem round the other way... too much interest in living (well, sleeping) resulted in an unbalanced something or other.

I only really know the Thin Lizzy version... and this one!

Nice one.

It's like there are voices... and I can't quite reach out to hear them.

I'd forgotten what it was like listening to your pieces. Magical.

Wow

That's pretty powerful.

Wow. Haunting sounds.

I listened on Friday, and I've been trying to figure out what happened so fast... and then seeing jimgoodinmusic's comment "...reflective of the street", on this relisten I ended up stood there with the same "hey what happened?" ... but a passer-by said "I don't really know - it all happened so fast" ...

I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...

I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.

I was looking for a word to describe the feel... and Colleen's already got it - "slinky cool".

Very refreshing sound - but the heavy breathing reminds of someone... not sure it's Colleen though! lol

This is still making me tingle. Those first two lines... I want everyone to feel it.

I think I remember it? Mighty cool anyways. I'm kinda jealous, though - all my old ones aren't that easy to post here... they're all recorded on pieces of A4 paper, in the metaphorical "shoe-box" (actually, it's not not that metaphorical, it is a box, several actually, they've just never held any shoes)

Wow, yes. It's a gorgeous song.

I like both. This one sounds more summery though!