Acoustic blues. Recorded in 2005. I was trying to record something else, can't remember what, and the missus was going out. She had cyclist Lance Armstong's book, or was talking about it. Sounded like a great title for a song as well as his book…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
Here we go.
This one started out one morning several weeks ago when the sun was still shining...
If it's as wet and dark as it is here, just close your eyes, I'm sure you can imagine it if you try hard enough...
Lollies, chips, and beer…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well)
I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :)
And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I'm reaching that conclusion too :)
If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better...
But I was trying them out today, and they seem surplus to requirements now!
(Mrs R has got her way lol)
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
Playing with my new Zoom B1X effects processor. Synthesized drums are from the B1X. Bassline is a panicky one I like to play. The guitar part I just came up with. Altogether I think I like it -- anyway it gets my pulse up!
Well, it's a work…
A short 2-track guitar tune. I was trying to get that feeling of going out in public after lockdowns are all over. Sort of a combination of relaxing and frantic, I guess?
OK, so just in the spirit of the season (!) here's a playfully spooky little creation.....maybe imagine all those skeletons dancing around the place!!! I should maybe pay some homage to Tim Burton/John Williams here...?
:) I thought I'd commented on this one too... (been distracted by Mrs R's latest Christmas film choice ... it's not even December yet!!! It's got Dolly in, though... interestingly she looked older in 1996 than she does now!!) ... Anyways, yes, I like the insistent rhythm driving it on.
Oh yes, like it. And I agree with thetworegs - it does evoke some Christmas vibes (this maybe something to do with the fact my wife is binge-watching Christmas films on amazon prime and I can't really get away from it!!)
It is said that the Valley of the Kings is understandably a haunted and sacred place...hence the start and end of this composition, being no. 7 in the Fusion Soundscapes project....and hopefully evoking a sense of awe and majesty walking in the…
DIRTY LAUNDRY Key C
I got a call from Russell. He had to move his junk
He’d filled his car. He’d filled his trunk
Big black bags of something. I said, “What’s with these?”
He said, “It’s dirty laundry.” I said, “That’s crazy.”
So, he…
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
I’ve seen you crash back down into the ash
Like an inverted Phoenix
So delectable yet totally ineffectual
Those intellectual verbal tricks
I’ve tried to save ya from your bad behaviour
And keep you safe within the mix
I’ve been here to…
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.
The first song completed for the second round of re-recorded Quarantine Tunes. This one was written on the last day of the 2016 RPM Challenge. I had written a bunch of songs saying that people who think the Earth is flat are somehow defective…
GEETARS! :) Love the leads... Oh yeah... I think I'd like the rhythm ones louder, but they've got a lot of mids between them, so they probably could drown out the rest. I think we could take a spot more, though... Oh! Just reread the blurb - the rhythms are through a cocked wah? Ah, then you had the same problem as whoever had to mix Blizzard of Ozz, MSG, etc! LOL (I only tried that technique once - bear in mind this was a bluesrock band - my sound engineer went "wtf are you doing!?!? If you keep doing that I'm just turning your fader down..." lol)
A silly, sort of dreamlike / lullaby-ish tune, about weird travels on a bubble-gum balloon.
Lyrics:
See one time I was chewing bubble gum and it was mighty fine
I blew a bubble so big it took me up into the sky
So this is the story of where…
Comments on Andrew Russe's stuff
Damn fine blues!
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
cool soulful serenade
wow. this song is so cool and delivered in just the right style. hats off to you, andrew!
Fine song, fine, fine song. I love your slight country feeling here, really true sounding. This really works for me.
fun lyrics, Vox, cool tune!
Does for me..... a little light, a little dark.....
A little Purple sounding! Pretty FN cool.
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well) I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :) And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
odh is right; the bass feels a little sinister. Did you steal the teddy bear, Andrew?
Something slightly unsettling. Which is a good thing. Could be the treatment on the bass. I like...
"I dream you every Day" Some tunes dont need a lot of stuff. Focused and moving
I'd agree with G. Connor: it already is a very nice song as is. And the relative nakedness of it fits the story pretty well.
I'm reaching that conclusion too :) If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better... But I was trying them out today, and they seem surplus to requirements now! (Mrs R has got her way lol)
I like it. Why fill it up with more than you need. I think you captured it perfectly.
Wow this is awesome! Thanks for the comments on my tracks.. theres more on soundcloud if you like :) https://soundcloud.com/peterdonaghey
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
I love this song!
Nice lyrics and great voice dude.Good stuff
Very nice... Like something in a musical. The voice doesn't sound like Freddy Mercury but has the dramatic tension...
Comments made by Andrew Russe
Yep, raised my pulse too. Nice one.
And this is mighty fine playing.
Every now and then I'm struck with "One day I'll get a mandolin..." and noodles like this encourage that.
Love it.
Oh yes. Love this one.
:) I thought I'd commented on this one too... (been distracted by Mrs R's latest Christmas film choice ... it's not even December yet!!! It's got Dolly in, though... interestingly she looked older in 1996 than she does now!!) ... Anyways, yes, I like the insistent rhythm driving it on.
Wow, that works, wasn't expecting it to at all, but it does, big time. Nice one.
Oh yes, like it. And I agree with thetworegs - it does evoke some Christmas vibes (this maybe something to do with the fact my wife is binge-watching Christmas films on amazon prime and I can't really get away from it!!)
Yep, that works. Majestic stuff.
Yep :)
I'll comment on this one :) ... mighty fine song.
Short and sweet!
Wow. Gorgeous sounds.
And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol
Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.
Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.
Cool sounds
Nope, that's not a silly little ditty at all - well, you can call it that, if you want :) - it's actually quite thought-provoking. Nice one.
GEETARS! :) Love the leads... Oh yeah... I think I'd like the rhythm ones louder, but they've got a lot of mids between them, so they probably could drown out the rest. I think we could take a spot more, though... Oh! Just reread the blurb - the rhythms are through a cocked wah? Ah, then you had the same problem as whoever had to mix Blizzard of Ozz, MSG, etc! LOL (I only tried that technique once - bear in mind this was a bluesrock band - my sound engineer went "wtf are you doing!?!? If you keep doing that I'm just turning your fader down..." lol)
That's a cool track. Pulls you in a spins you round. Like it.