Burning Eyes is the precuel for Four Walls it tells the story of crimes of this man and how he doesn't recognize himself once he looks his own reflect in a puddle of water... enjoy!
Hi Richard, before anything, thank you for your kind comments. I am using the EWQLSO samplers for the horn. This Canyons is just wonderful by the way. see you around my friend! (I didn't log in... but it was me)
Hi Richard, before anything, thank you for your kind comments. I am using the EWQLSO samplers for the horn. This Canyons is just wonderful by the way. see you around my friend!
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
Awesome playing and mix! Actually reminds me a bit of some of the stuff from Meat Beat Manifesto's "At The Centre" and "Off Centre" albums, and that's a good thing. :)
title is self-explanatory, past tense however.
i really wanted a song that had the flow, emotional intensity and unpredictability of an ocean. perhaps that's a bit cliche.
done over the period of two months in a little dark room with an…
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
This is the first tune I wrote using an actual loop pedal. I really like the rawness of its form. The sound is sharp, it kind of attacks your ear.. but then after it loops around a few times, it calms down and sinks in..
I expect that there will…
Its my first attempt at writing a piece for piano. I think this would probably best be played by two players..
if I ever write out the piece on paper, it might have to be so.
I would value any of your comments greatly, as I greatly want to improve…
This is sort of a demo I did with Bloom, a regenerative music app designed by Brian Eno and Peter Chilvers. As I was playing it I stepped through all 12 "moods" for a minute each.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
Its my first attempt at writing a piece for piano. I think this would probably best be played by two players..
if I ever write out the piece on paper, it might have to be so.
I would value any of your comments greatly, as I greatly want to improve…
My second attempt at writing a piece for solo piano. Quite obviously the inspiration were Philip Glass Steve Reich and Terry Riley.
I hope you like it.
Ha! I couldn't believe it when I heard this. I've got to tell you that I have played this very pattern on my congas many times - it is the quintessential consonant (i.e. congruent, enharmonic) 1.5:1 polymeter – aka 4 vs.6. The higher pitched piano notes playing 6 beats/bar and the lower (basically) 4 beats/bar. "The 4 pushes the 6 like a gorilla pushing a swing". It is easy to get lost in patterns like this because it can be listened to from the vantage point of either the 4 or 6. One of my favorite examples of this effect is "Carol of the Bells". Nice work.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
Recent Comments
Nice one very cool.
Great track mate dig it.
cool - I've not heard an oboe ensemble before!
The whole concerto was just beautiful, I really enjoyed it, thank you so much
Hi Richard, before anything, thank you for your kind comments. I am using the EWQLSO samplers for the horn. This Canyons is just wonderful by the way. see you around my friend! (I didn't log in... but it was me)
Hi Richard, before anything, thank you for your kind comments. I am using the EWQLSO samplers for the horn. This Canyons is just wonderful by the way. see you around my friend!
galing lionel! found this through el. lupet ah. concert ka na dito. hehe.
Awesome!
Awesome playing and mix! Actually reminds me a bit of some of the stuff from Meat Beat Manifesto's "At The Centre" and "Off Centre" albums, and that's a good thing. :)
Your best yet! Awesome!
Way cool. Man, that's a lot of tracks!! Epic.
Excellent - what pedal are you using?
this is excellent - I love what you do with the chord stabs towards the end especially!
Peaceful... w;-)
That's just the bee's knees! Wonderful playing, Nina, and choice effects, dad - Far out!
Wo ho ho!
I find it fascinating that your first attempt at writing a piece for piano is in 7/8 time signature! Cool beans!
Ha! I couldn't believe it when I heard this. I've got to tell you that I have played this very pattern on my congas many times - it is the quintessential consonant (i.e. congruent, enharmonic) 1.5:1 polymeter – aka 4 vs.6. The higher pitched piano notes playing 6 beats/bar and the lower (basically) 4 beats/bar. "The 4 pushes the 6 like a gorilla pushing a swing". It is easy to get lost in patterns like this because it can be listened to from the vantage point of either the 4 or 6. One of my favorite examples of this effect is "Carol of the Bells". Nice work.
Nice work, Nina! My 12 year old son plays the flute as well, and Ian Anderson is a huge hit around our house too. Great collaboration.
Hilarious! Well done! **drooling**