Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
Hello, I love these songs! Damn beauty going on here Gary. This one reminds me of ELO, back when they were really good (before Disco and white candy ate their brains).
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Monster stuff.
It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so!
Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end.
Big grin on the face time...
A masterpiece.
Figure Out- There are about 4-5 takes of this song, all different. The song started off in the key of D, but I couldn’t hit the notes in the chorus. I then tried it in A, but it was lacking drive and energy. I tried it in G, but I couldn’t get…
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Allelujiah-This was supposed to be a completely different song, but this one just wrote itself instead. It’s almost all first take, except for the bass, which took a while to get straight so that it wouldn’t overwhelm the song. It has this tone…
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
I worked on this one off and on through '05 and '06. I did numerous demos of it (just me and an acoustic) before finally recording it proper. Originally I intended it as a slower, more ethereal (read:reverby) piece, but it just wasn't cutting…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
This song was written for Tony Sly of No Use For A Name - He passed away July of 2013.
His music helped me through quite a bit as a kid and influenced me as a musician. I never thought I would miss a person I had never met but here I am.
Written and recorded as part of our family RPM project this year. :-D
13 year old Jasmine on vocals and ukulele.
We wrote and recorded 10 songs under the name Cattica. It was just the best month of lockdown imaginable.
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
Comments on Gary Fox's stuff
This is what I like....and I like it a lot.......great frigging vocals here....thais is damn anthemic, epic.....you are the man.
Alright, you've kinda outdone yourself this year. This is insanely hot.
Hello, I love these songs! Damn beauty going on here Gary. This one reminds me of ELO, back when they were really good (before Disco and white candy ate their brains).
OK, does it really make sense if I designate EVERY track as a "favorite"? - looks like I'm doing it anyway!
Bravo man, bravo. Bringing back balls to the wall rock and roll......beauty man
Bloody hell man, this is really good isn't it. It does just what the write-up on the box says....don't get that everyday....seriously good.
Really enjoyed this!
I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...
Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.
And this - rockin!
Whoa! I like this very much. Yep Sticky Fingers, but with, I dunno, a Joe Walsh kind of vocal. Nice one.
Hey Gary - Just stopped by for a listen to a few of your tracks. Keep up the good work! ER
most excellent,, sometimes the coolest thoughts/tunes come while were looking the other way yes??? well done
Still rocking to this one!
Thats what I call songwriting man, deadly
Love it!!!
Fantastic song. :-) How did you get this raw voice: whiskey, some other drink, or sandpaper?
Nice one Gary, the bass and beat really hold the tone together with your voice.
You are the best kept secret on the web!! and it's free great music!!!. Sony needs to sign you to a contract!!
Another of my fave tracks of yours, excellent vocal and the music is so cool.
Comments made by Gary Fox
Wait, wah-wah bass?!? Awesome. This tune just keeps getting better with each passing sound, twist, and part.
So beautiful...
I think I have my new most favorite song ever. This is genius. The delivery is perfect.
I love the feel, the movement, the spice. Bloody great!
Magical. Purely magical.
That riff is tasty; very, very tasty! And I love the vox delivery...great song!
I love every aspect of this song; the mix, the performance, the writing, all of it.
Wow, great song. Great song!
Out of the gate...this one grabs you instantly. It's a great counterpoint to Part 1.
This is an anthem! Great song!
I love how this song almost pulses out of the speakers at me. Great cut!
This whole album is phenomenal. You're the Monet of auditory soundscapes! I loved every track.
Love the guitars!
Nice! This rocks!
This is such a great song, Tim.
I love this.
Such a great number, wilsun!
I really like the melancholy feel of the beginning. The space is nice, and the synth at 2:30 is perfect.
This song and performance are 2 minutes and 28 seconds of perfection.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.