Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
Hello, I love these songs! Damn beauty going on here Gary. This one reminds me of ELO, back when they were really good (before Disco and white candy ate their brains).
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Monster stuff.
It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so!
Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end.
Big grin on the face time...
A masterpiece.
Figure Out- There are about 4-5 takes of this song, all different. The song started off in the key of D, but I couldn’t hit the notes in the chorus. I then tried it in A, but it was lacking drive and energy. I tried it in G, but I couldn’t get…
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Allelujiah-This was supposed to be a completely different song, but this one just wrote itself instead. It’s almost all first take, except for the bass, which took a while to get straight so that it wouldn’t overwhelm the song. It has this tone…
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
I worked on this one off and on through '05 and '06. I did numerous demos of it (just me and an acoustic) before finally recording it proper. Originally I intended it as a slower, more ethereal (read:reverby) piece, but it just wasn't cutting…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
I wrote this one last September.
Allison Jane Sixsmith 1965-2016.
****
**Forever - A A J Russe**
I can see you on your rocking horse now
The one that turned around and kicked you in the teeth
He thought…
Well it's been a long while (as seems to be the pattern lately) and I was inspired by Greg and Ron's new songs.... Then I saw a lovely note from the Proods saying "I must have been writing during this crazy time" - so I had to respond with something…
Two weeks since we went into lock down
We can't play together now so we all played at home and sent the files to eachother.
Hans Nooitgedagt Jr - drums
Bingsolex - lead guitar
Erwin B - bass
KC - guitar, vocals, keys and mix
Times like…
KC - keys, guitar, bass, vocals & mix
It's 5 AM in the morning
I'm burning the midnight oil
There's coffee to stop the yawning
Just don't care about a recoil
I decide to take a walk
A starlit night in the park
I'm in the mood for…
(Remastered 22/10/2021)
I wasn't even sure the recording machine was still going to work after nearly five years... Certainly, bits of me don't work anymore... But, surprisingly, I got this done in 24 hours, start to finish... Strange old world…
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Here's a song that battled me for quite awhile... so I am glad to say I've gotten it recorded. Still rough from my home studio, but trying out a few additional things on my keyboard to round out the sound around the ukulele. Thanks for listening…
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
This song was inspired for all of us who've cycled through a relationship or two.... My dear friends Greg Connor and Mark Lofgren of the infamous MN Coffee Table helped bring it to life with Greg on Banjo and Mark on Lead Guitar. Both of them…
MN Homebrew Radio show has a monthly writing contest. This month it was to use the word "wait" or "waiting" in your song. So the hook line of the chorus popped into my head at 5:30 in the morning and the rest of the song came pretty quickly…
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
Comments on Gary Fox's stuff
This is what I like....and I like it a lot.......great frigging vocals here....thais is damn anthemic, epic.....you are the man.
Alright, you've kinda outdone yourself this year. This is insanely hot.
Hello, I love these songs! Damn beauty going on here Gary. This one reminds me of ELO, back when they were really good (before Disco and white candy ate their brains).
OK, does it really make sense if I designate EVERY track as a "favorite"? - looks like I'm doing it anyway!
Bravo man, bravo. Bringing back balls to the wall rock and roll......beauty man
Bloody hell man, this is really good isn't it. It does just what the write-up on the box says....don't get that everyday....seriously good.
Really enjoyed this!
I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...
Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.
And this - rockin!
Whoa! I like this very much. Yep Sticky Fingers, but with, I dunno, a Joe Walsh kind of vocal. Nice one.
Hey Gary - Just stopped by for a listen to a few of your tracks. Keep up the good work! ER
most excellent,, sometimes the coolest thoughts/tunes come while were looking the other way yes??? well done
Still rocking to this one!
Thats what I call songwriting man, deadly
Love it!!!
Fantastic song. :-) How did you get this raw voice: whiskey, some other drink, or sandpaper?
Nice one Gary, the bass and beat really hold the tone together with your voice.
You are the best kept secret on the web!! and it's free great music!!!. Sony needs to sign you to a contract!!
Another of my fave tracks of yours, excellent vocal and the music is so cool.
Comments made by Gary Fox
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
A few measures in and I am already smiling. I can feel the warmth of this song coming through, and I love how your acoustic sounds. Great cut!
Wow...just wow. Andrew, this sounds great, and I love the song. Beautifully done!
So beautiful in its simplicity, the best songs often need nothing more than a voice and accompaniment. Great song, Colleen!
It sounds like you're all in the same room. Very smooth, great number! Take heart, we'll pull through.
Dude...this is really cool. Love the groove!
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
Great number, there is nothing like a live recording of people who can play and sing well together.
Great tune, Colleen! I really like the earthy feel. Real blues tones here, and I love it.
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
So rich and creamy; that's the best way to describe these fantastic songs...
Beautiful arrangements and scoring. I love the mood of this...
Peter, it's so good to have new music from you again.
Wow, worth the listen all the way through. Killer production.