A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
Brilliant. Also serves as a reminder that we shouldn't forget about the "old school" techniques in favour of all the blinkenlights we now have at our disposal.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
I love this.
It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun.
Thanks for the inspiration!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
This is a bonus track as it didn't make the album
For those of you who know my stuff - does this sound like it works? or is it too much like filler - the vocals are effected, there's a drum loop - the guitar is just chopped out of a jam - i…
I unleash my secret weapon!
Guest vocalist Shaka brings the icing to this rather haunted version of the first chapter of Cold Mountain by Charles Frazier!
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
An intrumental Track I put together when Thinking about my family.
One Guitar represents my son, one my wife and one me......
Two Versions with Vox (Jim Higgins and Geir Alfsen) are also in existance.. not sure how to link to this site…
Written and Recorded: Feb 14, 2010
Details: Epiphone Les Paul (DADGAD), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
this is one i have to stop tweaking - six versions and i still don't get what i hear in my head
would love some crit for this one as it's doing my head in
thanks
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Written and Recorded: Feb 07, 2010
Details: Epiphone Les Paul (DADGAD - capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
Came up with a proper title, because I THINK the tuning is open D minor. Thanks for the comments. And BTW, no overdubbing was used. Just used the stereo output from the Yamaha Acoustic Stomp pedal.
This is a newer version of Summer Nights from what I posted on Thanksgiving day. I didn't like the previous version. This is a much cleaner version This song is one I wrote quite a while back. I didn't like the melody so I changed it. Easier…
This is the first tune for my 2010 RPM Challenge.
A bit short...my first attempt earlier in the evening (completely different tune) I ended up scrapping at 1:30 a.m., so this one was done in just a few minutes...
Written and Recorded: Feb…
Part six of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Comments on kavin.'s stuff
any hidden messages in there? hehe cool stuff.
Hi... I really want to listen this track to the other side.. maybe the machine can breathe a differen history :)
some very cool guitar tones
Kavin, I think this piece is absolutely fantastic. Well, well played!
Wonderful- I missed this one somehow
Fantastic! Don't know how I missed this one
I love this, it reminds me of, "Tales of the River Bank", only better.
Great playing! I missed this one of yours
Wonderful playing and such a lovely piece.
very cool- inspirational
This is wonderful! Very cool concept...clever title! w;-)
Brilliant. Also serves as a reminder that we shouldn't forget about the "old school" techniques in favour of all the blinkenlights we now have at our disposal.
Yeah, ok... yours is better :-) Love the organ(ish?) sound.
I love this. It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun. Thanks for the inspiration!
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
As you say Kavin, strangely symphonic, but really cool!
Can we hear the forward take?
Nice one mate this is good.
Your delivery on this is amazing, Kavin.
beautiful melancholy piece
Comments made by kavin.
I likes it. The groove, the vocal, the "awright".
Thank ye Capt. Leo is a big hero of mine and I "borrow" from him regularly.
Great song. The guitars have a nice Spanish vibe, which I like.
Very cohesive sound collage. I love this.
Acoustic greatness.
This has a "softer" sound than previous stuff, which I like. Dreamy.
Got a stand up bass? That's what I imagine, but otherwise it's a great track!
number 9..number 9..number 9
@kirklynch It's all bridge pickup, guitar run thru Yamaha AcousticStomp to simulate a miked dreadnought (because I'm lazy).
I like the anthem-ish approach here. Good 'un Doug.
yeehaaw!
Tasty stuff!
This is kick@$$!
Great energy, charging guitars and vocals! Keep on Colin
Came up with a proper title, because I THINK the tuning is open D minor. Thanks for the comments. And BTW, no overdubbing was used. Just used the stereo output from the Yamaha Acoustic Stomp pedal.
Good song Gilbert, nice.
Yay Doug's back! I like the urgency in this one. Kinda like RPM itself.
Parts IV thru VI, I made that run a couple years ago, this would have been a good soundtrack. Great stuff.
Doing RPM?
Beautiful. One of your best.