A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
Remastered all the tunes in the Mr. Faraday playlist to a higher dB.
Still figuring out this mastering thang. Sorry for the inconvenience.
Oh, and happy new year everyone!
Sunday aftnoon (11/09/08) took the reso down to the Fort Worth Modern Art Museum and recorded some doodling inside the Serra sculpture Vortex. No effects added, all natural reverb inside the structure.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
An ambient guitar piece done rather quickly, warts and all.
Stems from ideas I've been developing on my new JamMan looper pedal (catnip for guitarists if there ever was such a thing).
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Comments on kavin.'s stuff
nice job on this one.
Great sound!
Lovely! That is a sweet pedal, right there... a great track for a dark, cold Sunday afternoon.
I love this stuff...you make me wanna play some guitar, man!
oh, yeah, that's cool...love when the picking kicks in.
I only wish I could get acoustic sounds that good!!!! Great job
Man, it doesn't get better than this one. Amazing what one can do with a just an acoustic guitar.
Very nice- I hear a bit of Anthony Phillips influence in places. Nice mix of styles
Remastered all the tunes in the Mr. Faraday playlist to a higher dB. Still figuring out this mastering thang. Sorry for the inconvenience. Oh, and happy new year everyone!
cool man. Another excellent piece of art.
Boosted db a bit to get it on par with the rest of the tunes on the EP.
Hey I can hear a french touch like in St germain here !
Added bass guitar and remixed.
Guitars sound so lovely. I like it!
An amazing sound! I love it!
Very nice, reminds me that I haven't listened to enough John Fahey of late.
@SisterSavage Thank you for the honor!
How very OLDFIELD of you both!
CHECK OUT this Sister Savage/Kavin. collaboration! Wow, Kavin, I LOVE what you've done here!
Love this, Kavin! Great rhythm and your vocal is e-x-c-e-l-l-e-n-t.
Comments made by kavin.
Nice mellow jam with thunderstorm, very good.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
Bowed/ebowed mando, how about that. Great sounds and arrangement.
I like the rhythmic dynamics on this 'un and how it floats in and out of a sonic haze.
which button to push..
This has a bizarre carnival feel, Mephisto's merrygoround? Calms down to a nice resolution at the end.
Loop on man! Meow.
awesome, thanks for the tip. Been looking for timestretch software like this!
This is trippy good. Like Santana in a blender.
Wow. The amazing glu has a tune with that same title. I wonder where he's been? Miss him.
Bump for the newbies to enjoy this track!
Like all the tonal contrast going on, and the analog (?) synths.
Yes it was a longer improv, which I edited down to the best bits. Thanks much!
Ever heard of Robert Wyatt? Very much that style. Good job.
Great electro-jazz. Cool.
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
Great sonic space and execution, BL will be favoriting/dl'ing this.
Hi Rick! I sure like this. been hanging out with Wendy Carlos?
Howr you doin Rick? Peace to you brother, and thank you for your wonderful music!