Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Fort Worth/Vortex: the right place to strum, which goes into effect, which, in turn, moves the world around. I think so now, when listening to these VSs. Thank you Kavin, who is from planet Texas.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
There are a good many (like myself) who merely play (or at times fight with) the guitar. Then there are a very few (like Kavin) who truly are the guitar.
Kavin, both this track and you as an artist are simply magnificent.
Man, I get out of the loop for just a little while and Kavin drops all of this amazing guitar work her on Alonetone. There is no better, "Hey, welcome back, where've you been?" that I could have asked for.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
PORTAL and HAPPINESS and TIME are three of the songs on my new CD, EUREKA. Short pieces.
TIME
There was a time when I figured my Chevy van would last forever
I guess that was back when I was about thirty
And there was a time when I thot…
A Friend of mine (Dave Passourd) is a very talented song writer...
But he never records his stuff....
His songs rest with the memories of those that are lucky enough to get to hear his tunes.
Here is what I remember of a Song that he…
Written and Recorded April 18, 2010
Some people accidentally delete tracks...I accidentally kept this one :)
Details: Epiphone Les Paul (DADGAD, Capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity.
the last,the best and the most complex of a series of works,studies for an experimental film project,where one of my films will be shown at the local cinema and the music will be performed on live...see the site
http://radiowordlesspoem.yolasita.com
4 stereo guitar tracks played out one at a time.
Another late night - early morning recording.
I like to keep a positive attitude about the things that haunt me, but sometimes dreams change course unexpectedly, and the worms creep in.
This is a great album, excellent mix of electronics (Jeremy Camp) and female vox (Girl named Sam). Check the rest of it out at the RPM site or their reverbnation link.
just finished this one, represents a slightly new direction i am taking i think.
i am particuarly proud of the polyrhythmic sound i achieved. i was worried it mite become too cluttered (at the beginning) but i think i achieved clarity.
Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.
Another Sunday cover, this time putting an acoustic spin on one of my favorite tunes from RPM2010 - Communist Party by the great Sha-Pink. This song marks the first time I've ever used live percussion.
Ever since i heard Cave Street's Creator Protector Destroyer (from their 2010 RPM album) run from that song back into the opening didj of Onion Bell (the first track) i wanted to put the lyrics to that pulsing energy, and today i had time to give…
I was collecting 4th of July samples and recorded a jewel. By chance, I recorded my 4 year old girl, and you can hear her thought process...wondering how the fireworks were so high in the air - perhaps the fireworks were dropping from the sky…
Comments on kavin.'s stuff
You know I LOVE this track! Soon...w;-)
nice,,
cool mate.
love it!
Interesting fantasy))
so good. It transports me.
Some real nice guitar playin.
Here is the correct way to play the guitar as an orchestra. The development of the strings resonates to the shiny constellations
Fort Worth/Vortex: the right place to strum, which goes into effect, which, in turn, moves the world around. I think so now, when listening to these VSs. Thank you Kavin, who is from planet Texas.
Beautiful!!
Great sound mate dig it.
Nice to hear some more work inside the vortex. Love the verb in there..
wow, cool recording!
truth with a guitar.
Absolutely loving this VS set of tracks.
There are a good many (like myself) who merely play (or at times fight with) the guitar. Then there are a very few (like Kavin) who truly are the guitar. Kavin, both this track and you as an artist are simply magnificent.
Man, I get out of the loop for just a little while and Kavin drops all of this amazing guitar work her on Alonetone. There is no better, "Hey, welcome back, where've you been?" that I could have asked for.
Just outstanding. Beautiful tone. Just first rate listening, Kavin.
Very nice sound!
Thanks all, a few more to come, I don't have wifi these days so my internet use is sporadic. @Slkrell: it's an Edirol (roland)R09 wav/mp3 recorder.
Comments made by kavin.
Heheh, the first few trill notes sound like the intro to Cross Eyed Mary.
Great great! Keep up the flautation. Learning an instrument will reward you the rest of your life!
Good to see you back here, James. Great songs as always!
Truly beautiful guitar peace.
Joyfully repetitious. Face melting soloing. Wow!
What a pleasure to wake up to this. Thank ye Doug!
Ah yes, Mahavishnu. I wish they would get back together. Badass playing here,too!
Best of luck with this project. This is wonderful.
You must be new here, podner. Nice percussion tracks. More please!
I really like this piece, but some clipping on the loud bits!
This is a great album, excellent mix of electronics (Jeremy Camp) and female vox (Girl named Sam). Check the rest of it out at the RPM site or their reverbnation link.
This is reaslly good, esp. like the detuned gtr (?) in the middle.
Nice guitar work on this one.
Let's party!
Great stuff, Rick. I like very much the almost classical/rock approach here.
Really? ok
Apparently the theme for RPM10 was PARTY! Lots of party themed songs. Good cover, 17.
Helluva groove!
Just listened to both versions back to back, different treatments of the same theme. Great!
This is very cool. Well done!